James McAuley’s Verse Collection Music Late At Night: Poems 1970-1973 and Georg Trakl’s Poetry

Authors

  • Igor Maver University of Ljubljana, Faculty of Arts, Slovenia

DOI:

https://doi.org/10.4312/an.54.1-2.15-32

Keywords:

James McAuley, Georg Trakl, Australian poetry

Abstract

The article discusses James McAuley’s translations of the poems by the Austrian poet Georg Trakl (1887-1914), as well as the latter’s influence on McAuley’s own late verse in Music Late at Night: Poems 1970-1973. This is especially true of Trakl’s collection of verse Music in the Mirabell Garden translated by McAuley. Some of James McAuley’s early and later work also bears an indelible stamp of Trakl’s poetry.

 

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References

Baudelaire, Charles. “Une Charogne”/ “A Carrion”, Flowers of Evil. Double-language edition by Wallace Fowlie. New York: Bantam Books Inc., 1963. 44-46.

Coleman, Peter. The Heart of James McAuley. Sydney: Wildcat Press, 1980.

____. Coleman, Peter. The Heart of James McAuley: Life and Work of the Australian Poet (rev. ed.). Cleveland, Qld.: Connor Court Publishing, 2006.

Gaffney, Carmel. “Music out of Decay: McAuley’s Later Poetry and Georg Trakl”, Southerly, No. 4 (1976): 407-419. Revealing were also McAuley’s comments on Trakl on ABC Radio in October 1973.

Harwood, Gwen. “Introduction to Music in the Mirabell Garden”. Cf. Trakl.

Kramer, Leonie. James McAuley. St Lucia, Qld.: University of Queensland Press, 1988.

Macainsh, Noel. “Music in the Mirabell”, Quadrant, No. 19, September (1984): 18-23.

____. “The Late Poems of James McAuley”, Southerly, No. 45/ 3, September (1985): 330-342.

McAuley, James. “The Poetry of Georg Trakl”. The Grammar of the Real: Selected Prose 1959-1974. Melbourne: Oxford University Press, 1975.

____. A Map of Australian Verse: The Twentieth Century. Melbourne: Oxford University Press, 1975.

____. Music Late at Night: Poems 1970-1973. Sydney: Angus & Robertson, 1976. Also contained in Time Given: Poems 1970-1976.

____. Time Given: Poems 1970–1976. Canberra: Brindabella Press, 1976.

____. “Broken Incantation”, qtd in Peter Coleman, The Heart of James McAuley. Sydney: Wildcat Press, 1980.

Page, Jean. “Writing from the Periphery: the Haunted Landscapes of James McAuley”, Journal of the Association for the Study of Australian Literature, Vol 14, No 1(2014), https://openjournals.library.sydney.edu.au/index.php/JASAL/issue/view/773.

Robinson, Dennis. “The Traditionalism of James McAuley”. Australian Literary Studies, vol. 11, no. 2, (1983), doi: 10.20314/als.48d17f69b4.

Rowe, Noel. “James McAuley: The Possibility of Despair”, Southerly 60.2 (2000): 26–38.

Shelley, Percy Bysshe. The Poems of Shelley. Thomas Hutchinson (ed.). London: Oxford University Press, 1961.

Trakl, Georg. Music in the Mirabell Garden: Georg Trakl; translations, images and songs [by] James McAuley, Larry Sitsky, John Olsen, Gwen Harwood. Hobart: University of Tasmania, The New Albion Press, 1982. Only 330 copies of the book were published, with hand-set text, printed by hand on goat-skin parchment with floriated initials.

Winter, John. “Printing James McAuley During the Falklands War“, Westerly, No. 2, June (1989): 79.

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Published

7. 12. 2021

Issue

Section

Articles

How to Cite

Maver, I. (2021). James McAuley’s Verse Collection Music Late At Night: Poems 1970-1973 and Georg Trakl’s Poetry. Acta Neophilologica, 54(1-2), 15-32. https://doi.org/10.4312/an.54.1-2.15-32