Hamlet – A Never-Ending Story

Authors

  • Dieter Fuchs University of Vienna, Austria

DOI:

https://doi.org/10.4312/an.54.1-2.33-55

Keywords:

Shakespeare, Hamlet, revenge, modern subject, reformation discourse, meta-drama, manipulation of perspective, never-ending narrative loop

Abstract

This article fuses a survey of the play’s most important standard interpretations with those aspects which may be considered particularly fascinating about this text: the conflict of England’s catholic past with the rise of protestant culture in the early modern period; the meta-dramatic dimension of the play; the theatricality of Renaissance court life; the play’s reflection of the emerging modern subject triggered off by the rise of reformation discourse. To elucidate some aspects which tend to be overlooked in the scholarly discussion of Hamlet, the article will bring two important topics into focus: the courtly discovery of perspective and the dying Hamlet’s request to tell his story to the afterworld at the end of the play.

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References

Text Editions

Shakespeare, William. Hamlet. The Complete Works. Ed. Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 1988. 653-690.

____. As You Like It. The Complete Works. Ed. Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 1988. 627-652.

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Secondary Sources

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Goffman, Erving. The Presentation of Self in Everyday Life. New York: Doubleday, 1959.

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____. “Shakespeare and the Exorcists.” Shakespearean Negotiations: the Circulation of Social Energy in Renaissance England. Oxford: Clarendon Press, 1990. 94-127.

Hawkes Terence. “Telmah.” Ed. Patricia Parker & Geoffrey Hartmann. Shakespeare and the Question of Theory. New York: Methuen,1985. 310-32.

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Kott, Jan. Shakespeare Our Contemporary. London: Methuen, 1964.

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Schülting, Sabine. “Hamlet.” Shakespeare Handbuch. Ed. Ina Schabert. 4th ed. Stuttgart: Kröner, 2000. 533-44.

Schwanitz, Dietrich. Shakespeares Hamlet und alles was ihn für uns zum kulturellen Gedächtnis macht. Frankfurt: Eichborn, 2006.

____. “Shakespeare Stereoskopisch: Die Schule des Sehens und die Optik der Praxis.” Shakespeare Jahrbuch 129 (1993): 134-49.

Tillyard, E. M. W. The Elizabethan World Picture. 4th impr. London: Chatto and Windus, 1948.

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Published

07.12.2021

How to Cite

Fuchs, D. (2021). Hamlet – A Never-Ending Story. Acta Neophilologica, 54(1-2), 33–55. https://doi.org/10.4312/an.54.1-2.33-55

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Section

Articles