L'ascendant du doute hyperbolique sur le protoprologue des grandes tragedies corneliennes

Authors

  • Boštjan Marko Turk

DOI:

https://doi.org/10.4312/an.47.1-2.109-120

Keywords:

Corneille, Pierre (1606-1684), Descartes, René (1596-1650), Rome, folie, rationalisme, protoprologue, passion, tragédie, physiologie, volonté, mort

Abstract

L'étude présente se propose comme objectif de mettre en relief la fonction du protoprologue qui, en présence de son aspect d'archétype, prend le sens du bloc de construction architecturalement principal dans les drames majeurs de cet auteur. On trouve l'élément du protoprologue dans l'exposition des unités les plus importantes de l'opus de Corneille : Il détermine de façon essentielle l'entière pulsation de ce genre de théâtre, qui, par un chaos apparent, s'équilibre en une perspective rationnelle et cartésienne, typique du rationalisme du 17ème et des siècles suivants. Son facteur déterminant essentiel est le doute hyperbolique, qui ne se suffit pas à lui-même, mais devient l'outil méthodologique de la rationalisation des passions dévastatrices humaines, le tout se déroulant dans le domaine dans lequel la physiologie, au seuil de la nouvelle ère, vient à peine d'entrer, de toucher la frontière ou le contact entre le spirituel et l'organique.

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Published

16.12.2014

How to Cite

Turk, B. M. (2014). L’ascendant du doute hyperbolique sur le protoprologue des grandes tragedies corneliennes. Acta Neophilologica, 47(1-2), 109–120. https://doi.org/10.4312/an.47.1-2.109-120

Issue

Vol. 47 No. 1-2 (2014)

Section

Articles

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