Margaret Atwood, World-Famous but Yet to Be Discovered by Many Slovene Readers

Authors

  • Tomaž Onič University of Maribor, Faculty of Arts, Slovenia
  • Michelle Gadpaille University of Maribor, Faculty of Arts, Slovenia
  • Jason Blake University of Ljubljana, Faculty of Arts, Slovenia
  • Tjaša Mohar University of Maribor, Faculty of Arts, Slovenia

DOI:

https://doi.org/10.4312/an.53.1-2.33-47

Keywords:

Margaret Atwood, Canadian literature, literary translation, genres

Abstract

Margaret Atwood is the only Canadian author whose 80th birthday in 2019 was celebrated by the global academic community. This is not surprising, as she is the most famous Canadian writer, popular also outside literary circles. On this occasion, Slovene Canadianists organized a literary event at the Maribor University Library, which presented an outline of Atwood’s oeuvre and a selection of translated poems and excerpts of prose texts; some of these were translated especially for the event. Of Atwood’s rich and varied oeuvre, only eight novels, a few short fiction pieces and some thirty poems have been translated into Slovene. This article thus aims at presenting those aspects of Atwood’s work which are less know to Slovene readers. It is no secret that Atwood is often labelled a feminist writer, mostly on account of The Handmaid’s Tale and the TV series based on the novel. However, many Slovene readers may not know that she also writes poetry, short fiction, non-fiction and children’s literature, that she is a committed environmentalist, and that she discussed the problem of “Debt and the Shadow Side of Wealth” in a prestigious lecture series. There are not many authors who master as many genres as Atwood and who are so well-received by readers and critics alike. The latter is true of Atwood also in Slovenia, and we can only hope that Slovene publishers will make more of Atwood’s work available to Slovene readers. All the more so since Atwood has no plans to end her career: just before her 80th birthday she was on a tour in Europe promoting her latest novel, The Testaments, and she would have continued touring in 2020 were it not for the COVID pandemic.

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References

Primary Sources

Atwood, Margaret. “Age of Lead.” In Wilderness Tips. McClelland & Stewart, 1999 (1991), 120–133.

Atwood, Margaret. Cat’s Eye. Doubleday, 1988.

Atwood, Margaret. The Edible Woman, EPUB. Emblem, 2010 (1969).

Atwood, Margaret. “Further Arrivals,” In The Journals of Susanna Moodie. Oxford University Press, 1970, 12.

Atwood, Margaret. “Gertrude Talks Back.” In Good Bones. Knopf Doubleday, 2011 (1992), 16–19.

Atwood, Margaret. “Habitation” In Procedures for Underground. Little, Brown & Co, 1970, 50.

Atwood, Margaret. The Handmaid’s Tale. Random House, 2016 (1985).

Atwood, Margaret. Morning in the Burned House. Houghton Mifflin Harcourt, 1995.

Atwood, Margaret. Strange Things: The Malevolent North in Canadian literature. Clarendon Press, 1995.

Atwood, Margaret. “Spring Poem,” In You Are Happy. Oxford University Press, 1974, 22.

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@MargaretAtwood.com. “So, @UofTNews: as a soon-to-be dead alum w. $ to leave, am I annoyed by the anti-green plan? Y!” Twitter, March 12 2013. 7:06 p.m., https://twitter.com/margaretatwood/status/311553746582765569.

Atwood, Margaret. “Barbed Riposte from Margaret Atwood to Prichard.” Received by the authors, 18 November 2019.

Atwood, Margaret. “Do you consider yourself a feminist?” Web blog post. Goodreads. 2014, https://www.goodreads.com/questions/816-do-you-consider-yourself

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Desert Island Discs. “Margaret Atwood.” Aired 13 April 2003 on BBC 4, https://www.bbc.co.uk/programmes/p00937l3.

MacLennan, Hugh. “Boy Meets Girl in Winnipeg and Who Cares?” In Scotchman’s Return and Other Essays. Macmillan, 1960, 113–24.

Mohar, Tjaša and Michelle Gadpaille. “Alice Munro and Leonard Cohen: Ambassadors of Canadian culture in Slovenia.” In Don Sparling, ed. Canada Consumed: The Impact of Canadian Writing in Central Europe (1990–2017). Brno: Masaryk University, 2019, 223– 240.

Mozzocco, J. Caleb. “War Bears”: a Review. The Comics Journal. 8 Nov 2019, http://www.tcj.com/reviews/war-bears/.

Onič, Tomaž, Tjaša Mohar and Michelle Gadpaille. “The impact of Canadian literature in Slovenia since 1990.” In Don Sparling, ed. Canada Consumed: The Impact of Canadian Writing in Central Europe (1990–2017). Masaryk University, 2019, 131–144.

Oppenheim, Maya. “Margaret Atwood: Feminism is not about believing women are always right.” The Independent, 18 July 2017, https://www.independent.co.uk/arts-entertainment/books/news/margaret-atwood-handmaids-tale-author-feminism-women-not-always-right-a7847316.html.

Staines, David. “Margaret Atwood in her Canadian Context.” In The Cambridge Companion Margaret Atwood, edited by Coral Ann Howells. Cambridge University Press, 2006, 12–27.

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Published

26. 11. 2020

Issue

Section

Articles

How to Cite

Onič, T., Gadpaille, M., Blake, J., & Mohar, T. (2020). Margaret Atwood, World-Famous but Yet to Be Discovered by Many Slovene Readers. Acta Neophilologica, 53(1-2), 33-47. https://doi.org/10.4312/an.53.1-2.33-47