Vol. 54 No. 1-2 (2021)

Articles

• The Price That Women in Renaissance Drama Pay for Taking Initiative Isabella’s Soliloquy in Act IV of The Spanish Tragedy

  Jonathan S. Rebetz

  5-14

  • PDF

• James McAuley’s Verse Collection Music Late At Night: Poems 1970-1973 and Georg Trakl’s Poetry

  Igor Maver

  15-32

  • PDF

• Hamlet – A Never-Ending Story

  Dieter Fuchs

  33-55

  • PDF

• The Critique of American Racism in Steinbeck’s Travels with Charley

  Danica Čerče

  57-67

  • PDF

• “I am not what I am” Corpus-based Analysis of Shakespeare’s Character Iago from Othello, the Moor of Venice

  Teja Furlan, Monika Kavalir

  69-86

  • PDF

• Responses to Gone with the Wind among Slovenians on the Other Side of the Atlantic

  Janko Trupej

  87-98

  • PDF

• Ishiguro’s Japanese-English Identity and His Reception Internationally and in Slovenia

  Polona Ramšak

  99-114

  • PDF

• Un-taming the Shrew A Modern Take on Shakespeare’s The Taming of the Shrew

  Kübra Baysal

  115-121

  • PDF

• Moral Code of a Person Cognitive Approach to Interpretation of R. Kipling’s “If”

  Eldar Veremchuk

  123-137

  • PDF

• The Genealogy of Civilization

  Boštjan Marko Turk

  139-152

  • PDF

• Le sage et son mystique Regard croisé dans la correspondance d’Henri Pourrat et Jan Čep

  Jan Zatloukal

  153-163

  • PDF (French)

• La tension est-ouest comme ressort dramatique chez deux écrivains francophones d’origine chinoise

  Florence Gacoin-Marks

  165-178

  • PDF (French)

• Massimo Bontempelli (1878-1960) lettore di Stendhal e il pubblico della società di massa alle soglie della Terza epoca

  Dana Božič

  179-196

  • PDF (Italian)