Psalm 22 in the Light of René Girard’s Mimetic Theory

Krešimir Šimić; Davor  Vuković

doi:10.34291/BV2025/04/Simic

Avtorji

Krešimir Šimić Univerza J. J. Strossmayerja v Osjeku
Davor Vuković Univerza J. J. Strossmayerja v Osjeku

DOI:

https://doi.org/10.34291/BV2025/04/Simic

Ključne besede:

mimetično hrepenenje, Psalm 22, René Girard, mehanizem žrtvovanja, grešni kozel, soglasna žrtev

Povzetek

Prispevek obravnava pripoved Psalma 22 z vidika mimetične teorije Renéja Girarda. Najprej je psalm na kratko umeščen v krščansko interpretativno tradicijo, opisana pa je tudi njegova osnovna pripovedna struktura. Nato je na podlagi Girardovih prvih dveh knjig – Mensonge romantique et vérité romanesque (1957) in Dostoïevski, du double à l'unité (1963) – predstavljen Girardov trikotni model (poleg subjekta in objekta obstaja tudi posrednik, ki se nahaja onkraj linije subjekt–objekt in je dejansko središče mimetične želje). Sledi predstavitev osnovnih kontur žrtvenega mehanizma in Freudovih popravkov v Girardovi tretji in najbolj citirani knjigi La violence et le sacré (1972). Nazadnje opozorimo na Girardov obrat k Svetemu pismu in nekakšno biblično dekonstrukcijo mitološkega žrtvenega pripovedovanja v knjigi Des Choses cachées depuis la fondation du monde (1978) – ki je bila kasneje razvita v knjigah La route antique des hommes pervers, (1985), Je vois Satan tomber comme l'eclair (1999) in Celui par qui le scandale arrive (2001). Nazadnje je psalm sam analiziran z vidika Girardove teorije žrtvovanja.

Prenosi

Podatki o prenosih še niso na voljo.

Literatura

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