Introduction

Abstract

In the feverish rise of interdisciplinary endeavors, scientific proceedings, journals, conferences, project groups, and other institutional formations, are increasingly moving away from explicit disciplinary boundaries. Progressively, they are opening up their space to multidisciplinary projects, yet “workers in one discipline are not always aware of what is happening in some of the others.” The present issue is dedicated to highlighting the integrative aspirations of contemporary musicological research, in particular activities in the field of computer-assisted music research.