Zarlinov nauk o kontrapunktu in antična glasbena teorija

Nejc Sukljan

doi:10.4312/mz.59.1-2.109-133

Authors

Nejc Sukljan University of Ljubljana, Faculty of Arts, Slovenia

DOI:

https://doi.org/10.4312/mz.59.1-2.109-133

Keywords:

Gioseffo Zarlino, counterpoint, history of music theory, Antiquity, Renaissance

Abstract

This paper discusses connections between Gioseffo Zarlino’s theory of counterpoint and the ancient theoretical tradition. Basic definitions and the placement of the theory of counterpoint in the broader context of Zarlino’s treatise Harmonic Institutions (Le istitutioni harmoniche, 1558) are followed by examples of various rules of counterpoint: the use of dissonances, the use of the fourth, the characteristics of minor and major thirds, the use of chromaticism and enharmony, and rules for setting text to music.

Metrics

Metrics Loading ...

Downloads

Download data is not yet available.

References

Baldi, Bernardino. Le vite de’matematici: Edizione annotata e comentata della parte medievale e rinascimentale, uredil Elio Nenci. Milano: Franco Angeli, 1998.

Barker, Andrew. Greek Musical Writings. Zv. 2, Harmonic and Acoustic Theory. Cambridge: Cambridge University Press, 1989.

Boetij, Anicij Manlij Severin. Temelji glasbe. Prevedel Jurij Snoj. Ljubljana: Založba ZRC, 2013.

Dahlhaus, Carl. »War Zarlino Dualist?« Die Musikforschung 10, št. 2 (1957): 286–290.

Feldman, Martha. City Culture and the Madrigal at Venice. Berkeley: University of California Press, 1995. DOI: https://doi.org/10.1525/9780520310759

McKinney, Timothy R. »Hearing in the Sixth Sense.« The Musical Quarterly 82, št. 3–4 (1998): 517–536. DOI: https://doi.org/10.1093/mq/82.3_and_4.517

Mischiati, Oscar. »Cavazzoni, Marc’Antonio.« V Dizionario Biografico degli Italiani, uredil Alberto M. Ghisalberti, zv. 23 (Roma: Istituto della Enciclopedia Italiana, Giovanni Treccani, 1979). Dostop 22 februar 2023. https://www.treccani.it/enciclopedia/marc-antonio-cavazzoni_(Dizionario-Biografico)/.

Platon. Zbrana dela: Država. Zv. 1. Prevedel Gorazd Kocijančič. Celje: Mohorjeva družba, 2006.

Riemann, Hugo. Geschichte der Musiktheorie im IX.–XIX. Jahrhundert. Hildesheim: Georg Olms, 1961.

Slim, Colin H. »Cavazzoni, Marco Antonio.« V Grove Music Online. Oxford Music Online. Dostop 23. februarja 2023. https://doi-org.nukweb.nuk.uni-lj.si/10.1093/gmo/9781561592630.article.05219.

Sukljan, Nejc. »Renaissance Music between Science and Art: The Case of Gioseffo Zarlino.« Muzikološki zbornik 56, št. 2 (2020): 183–206. https://doi.org/10.4312/mz.56.2.183-206. DOI: https://doi.org/10.4312/mz.56.2.183-206

Walker, Daniel Pickering. Studies in Musical Science in the Late Renaissance. London: Warburg Institute London, 1978.

Wienpahl, Robert W. »Zarlino, the Senario, and Tonality.« Journal of the American Musicological Society 12, št. 1 (1959): 27–41. DOI: https://doi.org/10.2307/829515

Zarlino, Gioseffo. Le Dimostrationi harmoniche. Venetia: Francesco de’Franceschi Senese, 1589.

Zarlino, Giosseffo. Le Istitutioni harmoniche. Venetia, 1558.

Zarlino, Gioseffo. L’istituzioni armoniche, uredila Silvia Urbani. Treviso: Diastema, 2011.

Zarlino, Gioseffo. Motets from 1549. Part 2, Eleven motets from Musici quinque vocum moduli, uredila Christle Collins Judd. Middleton: A-R Editions, 2007. DOI: https://doi.org/10.31022/R149

Zarlino, Gioseffo. Sopplimenti musicali. Venetia: Francesco de’Franceschi Senese, 1588.