Cultural Continuity and Transition: Adapting the Grand Song of the Dong Ethnic Group to Modern Socio-cultural Contexts

Xiaoyu Zhang

doi:10.4312/mz.61.1.181-202

Authors

Zhang Xiaoyu Central Conservatory of Music, Beijing, China

DOI:

https://doi.org/10.4312/mz.61.1.181-202

Keywords:

Grand Song of the Dong Ethnic Group, cultural continuity and transition, dissemination methods, adaptation strategies, modern society

Abstract

This article explores the adaptation of the Grand Song of the Dong Ethnic Group [侗族大歌] to modern socio-cultural challenges using the ‘music sustainability’ framework. It examines tradition bearers in Beijing, university integration, and government efforts, highlighting both challenges and revitalization, offering models for traditional culture’s adaptation in contemporary society.

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