Reception History and the Trauma of Real History: Decoding the Pantomime in Haydn's 'Farewell' Symphony
Keywords:Sigmund Freud, Joseph Haydn, Jacques Lacan, pantomime, politics, reception history, remembering and repetition, trauma, Slavoj Žižek
AbstractHaydn’s incorporation of a pantomime into the finale of the “Farewell” Symphony constitutes as radical a violation of generic expectations as Beethoven’s introduction of a chorus in the Ninth Symphony, yet until now no one has analyzed this pantomime or decoded its meanings. The reception history of this piece suggests a paradoxical mixture of heightened historical recollection with a sort of willed amnesia.
How to Cite
Copyright (c) 2009 Kevin Korsyn
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.