Stevan Stojanović Mokranjac and the inventing of tradition: a case study of the Song 'Cvekje Cafnalo'

Authors

  • Katarina Tomašević Institute of Musicology, Serbian Academy of Sciences and Arts

DOI:

https://doi.org/10.4312/mz.46.1.37-56

Keywords:

Stevan Stojanović Mokranjac, Petar Konjović, Predrag Milošević, inventing of tradition

Abstract

The main aim of this article is to examine Stevan Stojanović Mokranjac’s role in the processes of inventing the artistic tradition of Serbian music of modern times. By following the route of the chosen analytical sample, the folk song “Cvekje cafnalo” from Mokranjac’s Twelfth Garland, through Petar Konjović’s works (Symphony C-minor, 1907 and The Second String Quartet, 1937), finally to the piano Sonatina (1926) by Predrag Milošević, I plan to show on which way Mokranjac’s oeuvre served as a starting model for the initiation of early modernism in Serbian (and Yugoslav) music in the first half of the 20th century.

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Author Biography

Katarina Tomašević, Institute of Musicology, Serbian Academy of Sciences and Arts

Katarina TOMAŠEVIĆ je višja raziskovalka v Muzikološkem inštitutu Srbske akademije znanosti in umetnosti v Beogradu. Glavna področja njenega raziskovanja so evropski okvirji srbske glasbe, zgodovina odrske glasbe in teorij tradicije, modernizem in avantgarda. Je glavna urednica revije Musicology (od 2006) ter avtorica knjige »Na križiščih Vzhoda in Zahoda. O dialogu med tradicionalnim in modernism v srbski glasbi« (2009) in mnogih razprav.

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Published

01.06.2010

How to Cite

Tomašević, K. (2010). Stevan Stojanović Mokranjac and the inventing of tradition: a case study of the Song ’Cvekje Cafnalo’. Musicological Annual, 46(1), 37–56. https://doi.org/10.4312/mz.46.1.37-56

Issue

Vol. 46 No. 1 (2010)

Section

Articles

License

Copyright (c) 2010 Katarina Tomašević

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