Med sentimentom in razumom: k zgodovini in pomenu valčka za klavir v 19. stoletju na Slovenskem

Nataša Cigoj Krstulović

doi:10.4312/mz.46.2.37-56

Authors

Nataša Cigoj Krstulović Znanstvenoraziskovalni center SAZU, Muzikološki inštitut

DOI:

https://doi.org/10.4312/mz.46.2.37-56

Keywords:

altz, piano music, 19th century

Abstract

The aim of this renewed historical dealing with 19th century piano music in Slovenia, above all with that concerning the waltz, is in exposing methodological problems in writings up to now and in assessing that segment of our musical past that has been from the artistic point of view for good reasons considered as unimportant. Dealing with piano compositions in their cultural/historical context reveals an interdependent relationship between the creative and performing level of a piece of music as well as that of its meaning or rather importance. An analysis of musical sources sheds light upon certain inner connections with the concept of popular music as defined by Kurt Blaukopf.

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Author Biography

Nataša Cigoj Krstulović, Znanstvenoraziskovalni center SAZU, Muzikološki inštitut

Nataša CIGOJ KRSTULOVIĆ (natasa@zrc-sazu.si) je zaključila podiplomski mag- istrski študij s področja muzikologije leta 1997 na Filozofski fakulteti v Ljubljani in leta 2001 doktorirala s področja glasbene pedagogike na ljubljanski Akademiji za glasbo. Zaposlena je kot znanstvena sodelavka na Muzikološkem inštitutu ZRC SAZU v Ljubljani. Raziskovalna področja njenega delovanja so zgodovina glasbe v drugi polovici 19. stol. in začetku 20. stol. na Slovenskem, slovensko zborovstvo in glasbena društva, sociologija glasbe.