The Closeness into the composition blizu (near) from Urška Pompe
DOI:
https://doi.org/10.4312/mz.47.1.177-188Keywords:
Urška Pompe, instrumental composi- tion, electroacoustic music, theory of 20th and 21st century music, music analysisAbstract
Urška Pompe’s work is a blend of diverse musical experiences, electroacoustic music not being one of them. Despite that, her music shows rather obvious influences of electro acoustics and can serve as a point of departure for consideration of the ways in which compositional techniques that stem from experiments carried out in electronic studios or with computer technology transgress the realm of pure acoustic music, as well as reflections on the history of such transgressions.Downloads
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Published
10. 06. 2011
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Copyright (c) 2011 Larisa Vrhunc

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
How to Cite
Vrhunc, L. (2011). The Closeness into the composition blizu (near) from Urška Pompe. Musicological Annual, 47(1), 177-188. https://doi.org/10.4312/mz.47.1.177-188