Severnonemška orgelska šola - Pota in stranpota raziskovanja in recepcije

Katharina Larissa Paech

doi:10.4312/mz.47.2.115-124

Die "Norddeutsche Orgelschule" - Wege und Irrwege in Forschung und Rezeption

Authors

Katharina Larissa Paech Universität für Musik, Graz

DOI:

https://doi.org/10.4312/mz.47.2.115-124

Keywords:

North German School, performing practice, organ tuning, publishing, Buxtehude, pedal clavichord, pedal harpsichord

Abstract

North German baroque music for keyboard instruments raises numerous questions, especially regarding disharmony between compositions and organs in that period. Lyrics criticaly present different research methods and their results.

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Author Biography

Katharina Larissa Paech, Universität für Musik, Graz

Katharina Larissa PAECH, rojena leta 1975 v Reutlingenu v Nemčiji. Študirala v Berlinu, Würzburgu in Gradcu. Muzikologinja, cerkvena glasbenica, organistka, cembalistka. 2006 promovirala z disertacijo o duhovni vokalni glasbi Johanna Pachelbela. Umetniško in znanstveno težišče njenega dela je nemška glasba 17. stoletja. Soizdajateljica zbranih vokalnih del Johanna Pachelbela, vabljena, da predava na raznih evropskih univerzah, deluje kot glasbena pedagoginja in organistka v Gradcu.

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PDF (Slovenian)

Published

1. 12. 2011

Issue

Vol. 47 No. 2 (2011)

Section

Articles

License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

How to Cite

Paech, K. L. (2011). Die "Norddeutsche Orgelschule" - Wege und Irrwege in Forschung und Rezeption. Musicological Annual, 47(2), 115-124. https://doi.org/10.4312/mz.47.2.115-124