Nemška tabulatura: uporabna ali utrudljiva?

Marko Motnik

doi:10.4312/mz.47.2.125-137

Deutsche Tabulatur: gebreuchlich oder verdrießlich?

Authors

Marko Motnik Universität Wien, Institut für Musikwissenschaft

DOI:

https://doi.org/10.4312/mz.47.2.125-137

Keywords:

tabulature, intabulation, vocal polyphony, keyboard instrument

Abstract

Intabulation and playing vocal compositions were important duties of 16th– and 17th– century organists, which are corroborated both by explicit reports as well as by the contents of numerous volumes of tabulatures from this period.

Downloads

Download data is not yet available.

Author Biography

Marko Motnik, Universität Wien, Institut für Musikwissenschaft

Marko MOTNIK je študiral orgle, cembalo, instrumentalno vzgojo in muzikologijo na Dunaju, kjer je na dunajski univerzi tudi doktoriral na temi, osrediščeni na vprašanje zgodovine transmisije Jacoba Handla- Gallusa. Je asistent za zgodovinsko muzikologijo Inštituta za muzikologijo Univerze na Dunaju. Glavna področja njegovega zanimanja so: duhovna glasba od 16. do 19. stoletja, zgodovina transmisije del J. S. Bacha, zgodovinska plesna glasba ter glasba za instrumente s tipkami. Sodeluje z vrsto institucij: Bachovi arhivi v Leipzigu, Avstrijska akademija znanosti (Komisija za muzikologijo) in Privatna Esterházyjeva fundacija v Eisenstadtu.

Downloads

PDF (Slovenščina)

Published

01.12.2011

How to Cite

Motnik, M. (2011). Deutsche Tabulatur: gebreuchlich oder verdrießlich?. Musicological Annual, 47(2), 125–137. https://doi.org/10.4312/mz.47.2.125-137

Download Citation

Issue

Vol. 47 No. 2 (2011)

Section

Articles

License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors who publish with this journal agree to the following terms:

Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.