Opera Directing in Slovenia between the Two Wars: Between the Aesthetics of the Drama Theatre and Opera Aesthetics

Authors

  • Darja Koter Univerza v Ljubljani, Akademija za glasbo

DOI:

https://doi.org/10.4312/mz.48.1.109-116

Keywords:

opera directing, Ljubljana Drama Theatre, National Theatre, Osip Šest, Bratko Kreft, Ciril Debevec

Abstract

The article deals with opera directing in Slovenia between the two wars, with the emphasis on opera performances of the National Theatre in Ljubljana. The author introduces a profile of an opera director in relation to theatre directing as well as some important European theatres and schools, and assesses the interactions between theatre and opera performances that were directed by some of the most notable stage directors of the Ljubljana Drama Theatre, such as Osip Šest, Bratko Kreft, and Ciril Debevec.

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Author Biography

  • Darja Koter, Univerza v Ljubljani, Akademija za glasbo
    Darja KOTER je na Akademiji za glasbo Univerze v Ljubljani izredna profesorica in predavateljica za področje zgodovine glasbe. Raziskovalno se ukvarja z inštrumentalno dediščino, glasbeno ikonografijo, zgodovino glasbene peda- gogike in glasbenih društev ter se poglablja v segmente opusov slovenskih skladateljev. Izsledke objavlja v domačih in tujih revijah, zbornikih razprav in monografijah. Od leta 2006 je urednica tematskih publikacij Akademije za glasbo.

Published

1. 06. 2012

Issue

Section

Articles

How to Cite

Koter, D. (2012). Opera Directing in Slovenia between the Two Wars: Between the Aesthetics of the Drama Theatre and Opera Aesthetics. Musicological Annual, 48(1), 109-116. https://doi.org/10.4312/mz.48.1.109-116