Postmodern referentiality: playing with texts and contexts in Petar Bergamo’s Second Symphony
DOI:
https://doi.org/10.4312/mz.49.2.81-90Keywords:
Petar Bergamo, modernism, post-modernism, text, context, referentiality, intertextuallityAbstract
Petar Bergamo’s Second Symphony (1967) must be analyzed in the context of Zagreb Biennale and therefore in the context of modernist domination which Bergamo understood as cul-de-sac. His Second Symphony is conceived as set of quotations and allusions that are able to trigger wide filed of associations connected to the logic of music history. Such a procedure resemble postmodernist technique, therefore it is possible to understand Bergamo’s symphony as a proto-postmodern work.Downloads
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Published
1. 12. 2013
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Copyright (c) 2013 Gregor Pompe
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
How to Cite
Pompe, G. (2013). Postmodern referentiality: playing with texts and contexts in Petar Bergamo’s Second Symphony. Musicological Annual, 49(2), 81-90. https://doi.org/10.4312/mz.49.2.81-90