Towards Liberty at the Intersection between Socialist Realism and Moderate Modernism
DOI:
https://doi.org/10.4312/mz.50.1.39-47Keywords:
Demetrij Žebre, Slovene orchestral music, 20th century, musical modernism, Socialist RealismAbstract
The orchestral output of Demetrij Žebre (1912– 1970) places him among the most significant Slovene composers of the first half of the 20th century music modernism. The article tries to answer the question, how the style in his orchestral works changed after 1944, particularly in his symphonic poem Towards Liberty (1944), which is a typical example of the intersection between moderate modernism and Socialist Realism dealing with National Liberation War (NOB) topics.
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Copyright (c) 2014 Karmen Salmič Kovačič

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