The Role of the First Belgrade Choral Society in the Development of Serbian Music
AbstractIt was in 1853, when Turks still kept guards at the Belgrade fortress, that the first Belgrade Choral Society was founded. During their first period the Society's repertoire consisted of Liedertafel pieces composed mainly by German authors. In 1864 new statutes made provision for works by Slavonic and Serbian composers. The idea for the foundation of the Belgrade National Theatre (1868) also grew up within the Society. The choir toured a number of cities which are now on the territory of Yugoslavia, but were then under Turkish or Austro-Hungarian rule and after 1894 tours were organized to different foreign countries. An important contribution to the development of musical culture in Serbia was made in 1899, when the first Serbian Music School in Belgrade was founded under the Society's auspices. – It is interesting to note the Yugoslav character of the Society's policy, especially the activity of the first conductor who was not a Serb, but the Slovenian musician Davorin Jenko. Two Croats were also elected as the Society's presidents. During the hunderd and seventeen years of its existence, the Society's choir has been directed by almost 50 conductors, among them the most prominent conductors, composers, teachers and organizers of musical life in Serbia. By their manifold activities the First Belgrade Choral Society was able to lay solid foundations for the development of musical culture in Serbia.
Download data is not yet available.
How to Cite
Stefanović, D. (1971). The Role of the First Belgrade Choral Society in the Development of Serbian Music. Musicological Annual, 7(1), 48–52. https://doi.org/10.4312/mz.7.1.48-52
Copyright (c) 1971 Dimitrije Stefanović
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.