The Development and Results of Musical Historiography in Slovenia
AbstractAfter the first attemps made in musical historiography in the second half of the 19th century, the endeavours in this field acquired with J. Mantuani at the beginning of the present century a professional and scholarly character. Within the framework of the edition Denkmäler der Tonkunst in Österreich Mantuani had in the years 1899–1919 edited the collection of motets Opus musicum by J. Gallus and in his introduction elucidated certain, up to that time unknown aspects of the composer's life. He also started systematically to collect the material for the Slovene musical history and in this connection wrote a series of articles. When in 1918 the Yugoslav state was founded and so also the Slovene university, there was as yet no department of musicology or musical history and so during the inter-war period the musical historiography could not be systematically pursued to any greater extent. This was made possible only after 1945 when at the Academy of Music a scientific department was opened, and later on, in 1961, when at the Faculty of Arts in Ljubljana the Department of Musicology was established; this Department has been paying great attention to the study of the Slovene musical past and started to issue a Musicological Annual (1965), which lays significant emphasis on musical historiography. Great advances made in this field since the World War II are first and foremost evident from the monographs on the development of the Slovene musical culture. Undoubtedly of fundamental importance here is D. Cvetko's Zgodovina glasbene umetnosti na Slovenskem I, II, III (1958, 1959, 1960) (A History of Musical Art in Slovenia), which remains a truly reliable starting point and with its precious guide-lines a solid basis for all prospective research. The most recent and highest achievement of the endeavours in the sphere of the entire national musical history is represented by Musikgeschichte der Südslawen (1977) by the same author, in which the principal emphasis is laid on a comparative evaluation of the musical achievements of the individual South Slavic nations. This basic literature is complemented by some works of a wider or more general concept, either covering a predominant part of our musical past or through several periods following up particular compositional fields. A great advance in the Slovene musical historiography is further manifested by issuing monuments of music, where again the activity was first launched by D. Cvetko's publication Skladatelji Gallus, Plautzius, Dolar in njihovo delo – Les compositeurs Gallus / Plautzius / Dolar et leur oevre (1963), and later by J. Gallus's Harmoniae morales and Moralia (1966, 1968). In addition to synthetic and other works giving a general survey and to issues of compositions by old Slovene masters there have since 1945 written a number of special articles, treatises and monographs, the number of which has greatly increased particularly in the recent years. These works deal with a great variety of problems in the musical development from the Middle Ages until the present days.
How to Cite
Copyright (c) 1981 Jože Sivec
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.