Four Parodies by Gabriello Puliti and the Question of Masses in Istria in the First Half of the 17th Century
AbstractThe paper considers two aspects of the history of music of Istria which can be noted towards the end of the first half of the 17th century. First of all it is evident that G. Puliti was highly personal in his approach to parody technique, in which there was a certain tendency toward variation principles. That was a characteristic feature of a number of other more eminent composers of that period as well. The author also points out Puliti's intellectual superiority, as the composer was anxious to experiment not only with parody but also with modern Baroque compositions despite unfavourable economic conditions, which compelled artists of this region to write pieces of music for a wider audience.
Download data is not yet available.
How to Cite
Cavallini, I. (1991). Four Parodies by Gabriello Puliti and the Question of Masses in Istria in the First Half of the 17th Century. Musicological Annual, 27(1), 39–47. https://doi.org/10.4312/mz.27.1.39-47
Copyright (c) 1991 Ivano Cavallini
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Musicological Annual by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.