A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory
Keywords:Haydn, Capriccio, String quartet, Mu-sico-poetic structures, Rhythm, Phrase
AbstractHaydn’s Quartet op. 9, no.6, illustrates the application of poetic conventions to music. Viewed as a Capriccio, movement 1 discloses a labyrinthine rhythmic structure both didactic and amusing. A table of musical rhythms and inventory of musical phrase types supplement analyses.
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Copyright (c) 2007 Sven H. Hansell
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