Music as a Language of Globalisation? The Metalinguistic Context of Lebič's Music
DOI:
https://doi.org/10.4312/mz.43.1.187-192Keywords:
the aesthetics of music, semantics, modernism, postmodernism, Lojze LebičAbstract
Music is held to be the most significant medium of the globalising world. With its apparent non-conceptual nature and cultural indeterminacy, it represents a model of a non-divisive language. The new musical hermeneutics, however, seeks a broader contextual determinacy in the interpretation of music. The music of Lojze Lebiœ could be a paradigm of music that grows from such contextual determination. His compositions arise from the “language tradition” of his culture and are determined by basic tonal archetypes, strict structural construction, and the author’s autonomous decision to at a certain point deny the chosen models and to transgress his own rules.Downloads
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Published
1. 12. 2007
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Copyright (c) 2007 Matjaž Barbo

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
How to Cite
Barbo, M. (2007). Music as a Language of Globalisation? The Metalinguistic Context of Lebič’s Music. Musicological Annual, 43(1), 187-192. https://doi.org/10.4312/mz.43.1.187-192