Monteverdi’s Orfeo – Shakespeare’s Hamlet: Monteverdijev Orfej – Shakespearov Hamlet

Pavel Sýkora

doi:10.4312/mz.55.1.27-41

Monteverdi’s Orfeo – Shakespeare’s Hamlet

Monteverdijev Orfej – Shakespearov Hamlet

Authors

Pavel Sýkora Janáček Academy of Music and Performing Arts, Brno

DOI:

https://doi.org/10.4312/mz.55.1.27-41

Keywords:

Mannerism, Renaissance, destruction, broken rituals, parlare disgiunto, curved mirror, harmony, certainty, order, symmetry, polycentrism, parallelisms

Abstract

Highly effective mode of solution to the crises in the Mannerist epoch is the solution in artistic structure. This article compares tendencies towards polycentric composition by two artists who were born in the 1560s – Claudio Monteverdi and William Shakespeare.

Downloads

Download data is not yet available.

Downloads

Published

20. 06. 2019

Issue

Vol. 55 No. 1 (2019)

Section

Articles

License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

How to Cite

Sýkora, P. (2019). Monteverdi’s Orfeo – Shakespeare’s Hamlet: Monteverdijev Orfej – Shakespearov Hamlet. Musicological Annual, 55(1), 27-41. https://doi.org/10.4312/mz.55.1.27-41