The Impossible Avant-garde of Vladan Radovanović

Authors

  • Ivana Medić Institute of Musicology, Serbian Academy of Sciences and Arts

DOI:

https://doi.org/10.4312/mz.55.1.157-176

Keywords:

Vladan Radovanović, impossible avant-garde, synthesic art, SFR Yugoslavia, art theory and history

Abstract

The term nesuđena avangarda (“undestined avant-garde”) was coined by Milorad Belančić to describe Vladan Radovanović’s unique artistic destiny. Although Radovanović was the only truly avant-garde Serbian composer in the post-World War II Yugoslavia, his output was overlooked and sidelined. In this article I discuss the circumstances that rendered Radovanović’s avant-garde unrecognised, irrelevant and invisible for many decades.

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Published

20.06.2019

How to Cite

Medić, I. (2019). The Impossible Avant-garde of Vladan Radovanović. Musicological Annual, 55(1), 157–176. https://doi.org/10.4312/mz.55.1.157-176

Issue

Section

Articles