Vol. 46 No. 2 (2010)

Articles

• My Life's Plan: Dragotin Cvetko and the Beginnings of the Study of Musicology in Slovenia

  Matjaž Barbo

  5-18

  • PDF (Slovenščina)

• In the Pitfalls of Interpretations Optics: A Note on Progress

  Marija Bergamo

  19-23

  • PDF (Slovenščina)

• Slovenian Musical Identity within that of Central Europe

  Ivan Klemenčič

  25-36

  • PDF (Slovenščina)

• Between Feeling and Reason: towards the History and the Significance of the Waltz for Piano in 19th Century Slovenia

  Nataša Cigoj Krstulović

  37-56

  • PDF (Slovenščina)

• Janko Ravnik's Piano Works, published in the New Chords magazine

  Katarina Bogunović Hočevar

  57-72

  • PDF (Slovenščina)

• Melusina - An Unstaged Opera by Emerik Beran

  Jernej Weiss

  73-85

  • PDF (Slovenščina)

• The opera and concert singer Amalie Schneeweiss-Joachim (1839-1899) was born in Maribor

  Manica Špendal

  87-94

  • PDF (Slovenščina)

• Slovene-German Symbiosis in Regional Theatre in Ljubljana between 1892 and 1914

  Špela Lah

  95-108

  • PDF (Slovenščina)

• Development of the Theatre and Opera director's Profile in Slovenia Between the Two Wars

  Darja Koter

  109-122

  • PDF (Slovenščina)

• The Essay Genre in Serbian Musicography of the First Half of the 20th Century: The Case of the Serbian Literary Magazine

  Aleksandar Vasić

  123-130

  • PDF (Slovenščina)

• The "Classic" of the 20th Century Music - The Question of Modern and Traditional in the Works of Uroš Krek

  Gregor Pompe

  131-148

  • PDF (Slovenščina)

• Organization and Freedom - An Analysis of Uroš Rojko's Tongenesis

  Larisa Vrhunc

  149-166

  • PDF (Slovenščina)

• Festival Ljubljana Concert Management 1953-1963

  Tjaša Ribizel

  167-174

  • PDF (Slovenščina)

• How Fast Do 78 rpm Records Turn?

  Drago Kunej

  175-184

  • PDF (Slovenščina)

• Bibliography of Katarina Bedina

  Aleš Nagode

  185-204

  • PDF (Slovenščina)