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Vol. 46 No. 2 (2010)
Vol. 46 No. 2 (2010)
DOI:
https://doi.org/10.4312/mz.46.2
Published:
01.12.2010
Full Issue
PDF (Slovenščina)
Articles
My Life's Plan: Dragotin Cvetko and the Beginnings of the Study of Musicology in Slovenia
Matjaž Barbo
5-18
PDF (Slovenščina)
In the Pitfalls of Interpretations Optics: A Note on Progress
Marija Bergamo
19-23
PDF (Slovenščina)
Slovenian Musical Identity within that of Central Europe
Ivan Klemenčič
25-36
PDF (Slovenščina)
Between Feeling and Reason: towards the History and the Significance of the Waltz for Piano in 19th Century Slovenia
Nataša Cigoj Krstulović
37-56
PDF (Slovenščina)
Janko Ravnik's Piano Works, published in the New Chords magazine
Katarina Bogunović Hočevar
57-72
PDF (Slovenščina)
Melusina - An Unstaged Opera by Emerik Beran
Jernej Weiss
73-85
PDF (Slovenščina)
The opera and concert singer Amalie Schneeweiss-Joachim (1839-1899) was born in Maribor
Manica Špendal
87-94
PDF (Slovenščina)
Slovene-German Symbiosis in Regional Theatre in Ljubljana between 1892 and 1914
Špela Lah
95-108
PDF (Slovenščina)
Development of the Theatre and Opera director's Profile in Slovenia Between the Two Wars
Darja Koter
109-122
PDF (Slovenščina)
The Essay Genre in Serbian Musicography of the First Half of the 20th Century: The Case of the Serbian Literary Magazine
Aleksandar Vasić
123-130
PDF (Slovenščina)
The "Classic" of the 20th Century Music - The Question of Modern and Traditional in the Works of Uroš Krek
Gregor Pompe
131-148
PDF (Slovenščina)
Organization and Freedom - An Analysis of Uroš Rojko's Tongenesis
Larisa Vrhunc
149-166
PDF (Slovenščina)
Festival Ljubljana Concert Management 1953-1963
Tjaša Ribizel
167-174
PDF (Slovenščina)
How Fast Do 78 rpm Records Turn?
Drago Kunej
175-184
PDF (Slovenščina)
Bibliography of Katarina Bedina
Aleš Nagode
185-204
PDF (Slovenščina)
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