Vol. 47 No. 1 (2011)

Articles

• Hegel᾽s Aesthetics and the Idea of Absolute Music

  Jurij Snoj

  9-29

  • PDF (Slovenščina)

• Hölderlin als Denkmal in der Kunst des 19. und 20. Jahrhunderts

  Helmut Loos

  31-38

  • PDF (Slovenščina)

• The Chorale Preludes of Johann Pachelbel : Research Issues Regarding Pachelbel’s Chorale Preludes

  Polona Miklavc

  39-47

  • PDF (Slovenščina)

• Music Textbooks and Instruction Manuals of the “Long” Eighteenth Century in Slovenia

  Metoda Kokole

  49-74

  • PDF (Slovenščina)

• The Relativeness and Function of Historical Interpretation of Music – the Problem Explicated through a Historical analysis of the Fundamenta textbook from Novo mesto

  Radovan Škrjanc

  75-91

  • PDF (Slovenščina)

• “The Master has Great Trouble, and Patience”: the manuscript compendium on the basic elements of music theory and plainchant singing from Pokrajinski arhiv Koper

  Katarina Šter

  93-111

  • PDF (Slovenščina)

• Dancing masters of the Carnolian Provincial Estates in the 18th and 19th Century

  Lidija Podlesnik Tomášiková

  113-140

  • PDF (Slovenščina)

• Concerts of the Philharmonic Society from 1794 to 1872

  Sara Železnik

  141-152

  • PDF (Slovenščina)

• "Musik am Rande". Einige Bemerkungen zur Typologie der Musik von Alois Hába

  Vlasta Reitterterová

  153-165

  • PDF (Slovenščina)

• A Return to Old Techniques in Recent Concertos by Ivo Petrić

  Niall O'Loughlin

  167-176

  • PDF (Slovenščina)

• The Closeness into the composition blizu (near) from Urška Pompe

  Larisa Vrhunc

  177-188

  • PDF (Slovenščina)

• Aci Bertoncelj through Journalistic Eyes

  Nina Gala Kušej

  189-200

  • PDF (Slovenščina)

• Interactions between Tradition and Modernism in Serbian Church Music of the 20th Century

  Ivan Moody

  201-208

  • PDF (Slovenščina)

• Art Music in Serbia as a Political Tool and/or Refuge During the 1990s

  Melita Milin

  209-217

  • PDF (Slovenščina)

• From a Glossary to a dictionary: Creating Croatian-Slovene Glossaries of Harmony and Counterpoint Terminology

  Jelena Grazio

  219-230

  • PDF (Slovenščina)

• A House like a 'Musical Instrument':Impulses from the Unbuilt Performative Architectural Project of the 'Contemporary Opera Berlin' and the Architectural Firm 'GKK' in Berlin 2001

  Simone Heilgendorff

  231-248

  • PDF (Slovenščina)

• Harmoniousness in Connecting Music and Visual Artworks in the Slovenie and Finnish Cultural Environment

  Janja Črčinovič Rozman

  249-262

  • PDF (Slovenščina)