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Vol. 49 No. 2 (2013)
Vol. 49 No. 2 (2013)
DOI:
https://doi.org/10.4312/mz.49.2
Published:
01.12.2013
Full Issue
PDF (Slovenščina)
Articles
Reverenz an die Referenz Terminologische Anmerkungen eines Linguisten zu einem schillernden Begriff
Oswald Panagl
5-9
PDF (Slovenščina)
Looking for coordinates. A challenge for research in reception and interpretation of music
Thomas Hochradner
11-22
PDF (Slovenščina)
The Old German Folksongs: Tracing a philological Fake
Nils Grosch
23-32
PDF (Slovenščina)
Referential contexts of early Slovenian symphonic music
Matjaž Barbo
33-39
PDF (Slovenščina)
The organ and „Kunstreligion“ – A Fatal liasion
Gregor Unterkofler
41-47
PDF (Slovenščina)
The End of the “Grand Narrative”? Understanding Slovenian Church Music of the Late 19th and Early 20th Century
Aleš Nagode
49-56
PDF (Slovenščina)
Wagner on Ljubljana’s Concert and Opera Stages
Jernej Weiss
57-74
PDF (Slovenščina)
Vítězslav Novák in the Context of Czech Music as a Whole: Thoughts about the Composer’s Fate
Lubomír Spurný
75-80
PDF (Slovenščina)
Postmodern referentiality: playing with texts and contexts in Petar Bergamo’s Second Symphony
Gregor Pompe
81-90
PDF (Slovenščina)
The Symphonic Poem in Slovene Music
Vesna Venišnik
91-98
PDF (Slovenščina)
Moonlight, Nightingales and Dreams of Hawaii – Referential systems of “Kitsch” in the German Musical Cabaret of the late Weimar Republic
Carolin Stahrenberg
99-107
PDF (Slovenščina)
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