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Vol. 50 No. 1 (2014)
Vol. 50 No. 1 (2014)
DOI:
https://doi.org/10.4312/mz.50.1
Published:
15.07.2014
Full Issue
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Articles
Verdis Opern und der Risorgimento
Michael Walter
5-38
PDF
Towards Liberty at the Intersection between Socialist Realism and Moderate Modernism
Karmen Salmič Kovačič
39-47
PDF (Slovenščina)
The Slovenian Philharmonic after the Second World War – From Ideology and Professional Disputes to Art
Katarina Bogunović Hočevar
49-61
PDF
Influences of the European Avant–Garde on the Relationship between Literature and Music in the Works of Jakob Jež
Larisa Vrhunc
63-76
PDF
Božidar Kos: String Quartet
Tjaša Ribizel
77-85
PDF (Slovenščina)
Expressive Sonority and Formal Control: Lojze Lebič into the 21st Century
Niall O’Loughlin
87-95
PDF
Vinko Globokar’s Balkan Requiem
Niall O’Loughlin
97-105
PDF
Analyzing Musical Terminology in Slovene Music Textbooks up until the End of World War II: a case study of the term “note” and some other related terms
Jelena Grazio
107-138
PDF (Slovenščina)
Singer-Songwriters in Slovenia: An Ethnomusicological Study
Teja Klobčar
139-156
PDF
Balkan Music Industries Between Europeanisation and Regionalisation: Balkan Music Awards
Ana Hofman
157-174
PDF
Master's thesis
José Osana (1919–1996) – Life and Work
Lidija Podlesnik Tomášiková
175-178
PDF
PDF (Slovenščina)
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