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  3. Vol. 50 No. 1 (2014)

Vol. 50 No. 1 (2014)

					View Vol. 50 No. 1 (2014)
DOI: https://doi.org/10.4312/mz.50.1
Published: 15.07.2014

Full Issue

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Articles

  • Verdis Opern und der Risorgimento

    Michael Walter
    5-38
    • PDF
  • Towards Liberty at the Intersection between Socialist Realism and Moderate Modernism

    Karmen Salmič Kovačič
    39-47
    • PDF (Slovenščina)
  • The Slovenian Philharmonic after the Second World War – From Ideology and Professional Disputes to Art

    Katarina Bogunović Hočevar
    49-61
    • PDF
  • Influences of the European Avant–Garde on the Relationship between Literature and Music in the Works of Jakob Jež

    Larisa Vrhunc
    63-76
    • PDF
  • Božidar Kos: String Quartet

    Tjaša Ribizel
    77-85
    • PDF (Slovenščina)
  • Expressive Sonority and Formal Control: Lojze Lebič into the 21st Century

    Niall O’Loughlin
    87-95
    • PDF
  • Vinko Globokar’s Balkan Requiem

    Niall O’Loughlin
    97-105
    • PDF
  • Analyzing Musical Terminology in Slovene Music Textbooks up until the End of World War II: a case study of the term “note” and some other related terms

    Jelena Grazio
    107-138
    • PDF (Slovenščina)
  • Singer-Songwriters in Slovenia: An Ethnomusicological Study

    Teja Klobčar
    139-156
    • PDF
  • Balkan Music Industries Between Europeanisation and Regionalisation: Balkan Music Awards

    Ana Hofman
    157-174
    • PDF

Master's thesis

  • José Osana (1919–1996) – Life and Work

    Lidija Podlesnik Tomášiková
    175-178
    • PDF
    • PDF (Slovenščina)

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University of Ljubljana Press, Slovenia
(Založba Univerze v Ljubljani)

Print ISSN: 0580-373X
Online ISSN: 2350-4242

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