Vol. 50 No. 1 (2014)

View Vol. 50 No. 1 (2014)

DOI: https://doi.org/10.4312/mz.50.1

Published: 15.07.2014

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Articles

Verdis Opern und der Risorgimento

Michael Walter

5-38
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Towards Liberty at the Intersection between Socialist Realism and Moderate Modernism

Karmen Salmič Kovačič

39-47
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The Slovenian Philharmonic after the Second World War – From Ideology and Professional Disputes to Art

Katarina Bogunović Hočevar

49-61
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Influences of the European Avant–Garde on the Relationship between Literature and Music in the Works of Jakob Jež

Larisa Vrhunc

63-76
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Božidar Kos: String Quartet

Tjaša Ribizel

77-85
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Expressive Sonority and Formal Control: Lojze Lebič into the 21st Century

Niall O’Loughlin

87-95
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Vinko Globokar’s Balkan Requiem

Niall O’Loughlin

97-105
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Analyzing Musical Terminology in Slovene Music Textbooks up until the End of World War II: a case study of the term “note” and some other related terms

Jelena Grazio

107-138
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Singer-Songwriters in Slovenia: An Ethnomusicological Study

Teja Klobčar

139-156
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Balkan Music Industries Between Europeanisation and Regionalisation: Balkan Music Awards

Ana Hofman

157-174
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Master's thesis

José Osana (1919–1996) – Life and Work

Lidija Podlesnik Tomášiková

175-178
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- PDF (Slovenščina)