Vol. 50 No. 2 (2014)

Articles

• Musikgeschichte als heilige Geschichte - ein Versuch, die Entwicklung neu zu verstehen

  Wolfgang-Andreas Schultz

  7-16

  • PDF

• The Word is not Enough: Symbol, Myth, and Ritual in Hofmannsthal’s Libretto for Arabella

  Marc Brooks

  239-249

  • PDF

• Harmony, Sacrifice, and Agamben’s Messianic Time

  Janet Danielson

  17-30

  • PDF

• King David and the Frog

  Marina Ritzarev

  31-42

  • PDF

• Die kunstreligiöse Botschaft der Leipziger Musikwissenschaft im späten 19. und frühen 20. Jahrhundert

  Helmut Loos

  43-51

  • PDF

• ‚Die Dinge stets sich selbst folgen lassen‘ – Klang und Perzeption bei Giacinto Scelsi

  Elfride Reissig

  53-62

  • PDF

• Orient and Occident Encounters in Dimitrije Buzarovski’s Oratorio “Radomir’s Psalms”

  Trena Jordanonska

  63-75

  • PDF

• The Rosary and the Rose: Clergymen as Creators of Secular Poetry and Music in Early-modern Balkans

  John Plemmenos

  77-91

  • PDF

• Instrumental Music and Franciscan Liturgy

  Vesna Venišnik

  93-99

  • PDF

• Profanation in Slovenian Contemporary Symphonic Music?

  Leon Stefanija

  101-110

  • PDF

• Sacral Rituality and Mysticism in the Service of the Awakening of National Identity. Baltic-Balkan Parallels in the Works of B. Kutavičius, L. Lebič and V. Tormis

  Gregor Pompe

  111-125

  • PDF

• Sacred Music – a Forbidden Fruit: Musical and Non-musical Ways of Survival

  Jūlija Jonāne

  127-135

  • PDF

• Die christlichen und antichristlichen Elemente in der Musik von BLACK SABBATH (1970–1973)

  Charris Efthimiou

  137-145

  • PDF

• Resacralization of the sacred: Carthusian liturgical plainchant and (re)biblicization of its texts

  Katarina Šter

  157-180

  • PDF

• Secular and Sacred in the Second Half of the Sixteenth Century: The Case of Masses Nasce la pena mia of Bartolomeo Spontone and Costanzo Antegnati

  Klemen Grabnar

  181-198

  • PDF

• The Musical Image of the Eucharistic Congress in Ljubljana in 1935: Between Liturgical Renewal and External Effect

  Peter Grum

  199-212

  • PDF (Slovenščina)

• Listening to Music in ‛Holy’ Space: The Role of 19th-Century Public Concert in the Construction of Kunstreligion

  Ana Petrov

  223-230

  • PDF

• The Dionysian signs in Richard Wagner's Tannhäuser

  Sanna Iitti

  231-237

  • PDF

• Resurrecturis - Musical Triptych in the Form of a Concert Requiem, composed by P. Ramovš, J. Trošt, and S. Vremšak

  Matjaž Barbo

  251-272

  • PDF

• Lux aeternas by Two Composers: Sacred and Profane in the Context of Genre Individualisation

  Primož Trdan

  273-278

  • PDF

• Gramophone Serving Sacred Music?

  Drago Kunej

  279-291

  • PDF (Slovenščina)

• The Sacred and the Profane in the Organ Music of the Czech Lands in the 19th and 20th Centuries

  Jana Michálková Slimáčková

  293-298

  • PDF

• Musical Symbols: The Symbiosis of Religious and Secular Themes in Art Heritage

  Darja Koter

  299-308

  • PDF

• Revived is the Lord... : Two Readings of a Dramatic Approach in Music

  Thomas Hochradner

  213-221

  • PDF

• The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma and the Divine Received: Embodiment of Krishnacore

  Mike Dines

  147-156