Vol. 43 No. 2 (2007)

DOI: https://doi.org/10.4312/mz.43.2

Published: 01.12.2007

Full Issue

MuzikoloskiZbornik43(2007)2 (Slovenščina)

Introduction

A Note from the Editors - Rationalism of a magic tinge: music as a form of abstract perception

Leon Stefanija in Katarina Bogunović Hočevar

7-8
- PDF (Slovenščina)

Articles

Music in Plato’s Republic

Jurij Snoj

13-26
- PDF (Slovenščina)
Sighs in Advancing Years – Petrarch, Vinci, Wert and Marenzio

Bojan Bujić

29-40
- PDF (Slovenščina)
A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory

Sven H. Hansell

43-56
- PDF
The Multiple Directions of the Beginnings of Slovene Opera Creativity

Matjaž Barbo

59-66
- PDF (Slovenščina)
Occasional Music in Honour of the Monarchy, the Emperor and Pan-Slavism as a Reflection of Some Slovenian Political Ideas After 1848

Nataša Cigoj Krstulović

67-82
- PDF (Slovenščina)
The Beginnings of the Cecilian Movement in Slovenia as Witnessed by the Correspondence between Anton Foerster and Franz Xaver Witt

Aleš Nagode

83-90
- PDF (Slovenščina)
Stravinsky and Russian Music of the 20th Century

Svetlana Savenko Savenko

93-98
- PDF (Deutsch)
Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony

Vesna Mikić

99-104
- PDF (Slovenščina)
Suite for Small Orchestra (1932) by Demetrij Žebre Between the “Old” and the “New” Structural Idioms

Karmen Salmič Kovačič

105-113
- PDF (Slovenščina)
Primož Ramovš’s Miniatures for Piano

Borut Loparnik

115-138
- PDF (Slovenščina)
Intellectual Magic: Tradition Infiltrated by Passion in the String Quartets of the English Composer Hugh Wood

Niall O'Loughlin

139-152
- PDF (Slovenščina)
Telemachia

Dalibor Davidović

157-162
- PDF (Slovenščina)
On Music as Reality

Arnold Feil

163-178
- PDF (Slovenščina)
Le tolérantisme musical – Comments on Antoine Bemetzrieder’s Essay on National Musical Cultures in the 18th century. Notes on the Epistemology of Music

Leon Stefanija

179-215
- PDF (Slovenščina)
An Attempt at the Etymological Analysis of Music

Ina Barsova

219-232
- PDF (Slovenščina)
The Semiotic-Semantic Nature of Music

Gregor Pompe

233-242
- PDF (Slovenščina)
Two Letters of Franc Šturm

Katarina Bedina

245-250
- PDF (Slovenščina)
“Unusual, Gentle Sensory Stimuli”: A Psychoanalytical Path to the Early Aesthesis of Hans Werner Henze

Christian Bielefeldt

251-263
- PDF (Slovenščina)
Reflection on the Term Romanticism in Music

Katarina Bogunović Hočevar

265-276
- PDF (Slovenščina)
Evangelist or Socialist: Johann Sebastian Bach in the Cold War and Other Periods of National Uncertainty

Marie-Agnes Dittrich

277-284
- PDF (Slovenščina)
Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern

Susanne Kogler

287-303
- PDF (Slovenščina)
A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy

Tijana Popović Mladjenović

305-332
- PDF (Slovenščina)
Silence As a Hermeneutic Oasis of Music

Mirjana Veselinović-Hofman

333-357
- PDF (Slovenščina)
The Visual and Auditory Representation of Space and the Net-Space

Werner Jauk

361-370
- PDF (Slovenščina)
From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis

Nico Schüler

371-396
- PDF (Slovenščina)
Bibliography of Marija Bergamo

Zoran Krstulović

399-429
- PDF (Slovenščina)

Vol. 43 No. 2 (2007)

Full Issue

Introduction

A Note from the Editors - Rationalism of a magic tinge: music as a form of abstract perception

Articles

Music in Plato’s Republic

Sighs in Advancing Years – Petrarch, Vinci, Wert and Marenzio

A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory

The Multiple Directions of the Beginnings of Slovene Opera Creativity

Occasional Music in Honour of the Monarchy, the Emperor and Pan-Slavism as a Reflection of Some Slovenian Political Ideas After 1848

The Beginnings of the Cecilian Movement in Slovenia as Witnessed by the Correspondence between Anton Foerster and Franz Xaver Witt

Stravinsky and Russian Music of the 20th Century

Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony

Suite for Small Orchestra (1932) by Demetrij Žebre Between the “Old” and the “New” Structural Idioms

Primož Ramovš’s Miniatures for Piano

Intellectual Magic: Tradition Infiltrated by Passion in the String Quartets of the English Composer Hugh Wood

Telemachia

On Music as Reality

Le tolérantisme musical – Comments on Antoine Bemetzrieder’s Essay on National Musical Cultures in the 18th century. Notes on the Epistemology of Music

An Attempt at the Etymological Analysis of Music

The Semiotic-Semantic Nature of Music

Two Letters of Franc Šturm

“Unusual, Gentle Sensory Stimuli”: A Psychoanalytical Path to the Early Aesthesis of Hans Werner Henze

Reflection on the Term Romanticism in Music

Evangelist or Socialist: Johann Sebastian Bach in the Cold War and Other Periods of National Uncertainty

Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern

A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy

Silence As a Hermeneutic Oasis of Music

The Visual and Auditory Representation of Space and the Net-Space

From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis

Bibliography of Marija Bergamo

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