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Vol. 43 No. 2 (2007)
Vol. 43 No. 2 (2007)
DOI:
https://doi.org/10.4312/mz.43.2
Published:
01.12.2007
Full Issue
MuzikoloskiZbornik43(2007)2 (Slovenščina)
Introduction
A Note from the Editors - Rationalism of a magic tinge: music as a form of abstract perception
Leon Stefanija in Katarina Bogunović Hočevar
7-8
PDF (Slovenščina)
Articles
Music in Plato’s Republic
Jurij Snoj
13-26
PDF (Slovenščina)
Sighs in Advancing Years – Petrarch, Vinci, Wert and Marenzio
Bojan Bujić
29-40
PDF (Slovenščina)
A Capricious Aspect of a Haydn Quartet: Parallels Linking Musical Phrasing to Italian Poetic Theory
Sven H. Hansell
43-56
PDF
The Multiple Directions of the Beginnings of Slovene Opera Creativity
Matjaž Barbo
59-66
PDF (Slovenščina)
Occasional Music in Honour of the Monarchy, the Emperor and Pan-Slavism as a Reflection of Some Slovenian Political Ideas After 1848
Nataša Cigoj Krstulović
67-82
PDF (Slovenščina)
The Beginnings of the Cecilian Movement in Slovenia as Witnessed by the Correspondence between Anton Foerster and Franz Xaver Witt
Aleš Nagode
83-90
PDF (Slovenščina)
Stravinsky and Russian Music of the 20th Century
Svetlana Savenko Savenko
93-98
PDF (Deutsch)
Constituting Neoclassicism in Serbia or: How and Why Neoclassicism Can Be Understood as Modernism – a Study of Ristić’s Second Symphony
Vesna Mikić
99-104
PDF (Slovenščina)
Suite for Small Orchestra (1932) by Demetrij Žebre Between the “Old” and the “New” Structural Idioms
Karmen Salmič Kovačič
105-113
PDF (Slovenščina)
Primož Ramovš’s Miniatures for Piano
Borut Loparnik
115-138
PDF (Slovenščina)
Intellectual Magic: Tradition Infiltrated by Passion in the String Quartets of the English Composer Hugh Wood
Niall O'Loughlin
139-152
PDF (Slovenščina)
Telemachia
Dalibor Davidović
157-162
PDF (Slovenščina)
On Music as Reality
Arnold Feil
163-178
PDF (Slovenščina)
Le tolérantisme musical – Comments on Antoine Bemetzrieder’s Essay on National Musical Cultures in the 18th century. Notes on the Epistemology of Music
Leon Stefanija
179-215
PDF (Slovenščina)
An Attempt at the Etymological Analysis of Music
Ina Barsova
219-232
PDF (Slovenščina)
The Semiotic-Semantic Nature of Music
Gregor Pompe
233-242
PDF (Slovenščina)
Two Letters of Franc Šturm
Katarina Bedina
245-250
PDF (Slovenščina)
“Unusual, Gentle Sensory Stimuli”: A Psychoanalytical Path to the Early Aesthesis of Hans Werner Henze
Christian Bielefeldt
251-263
PDF (Slovenščina)
Reflection on the Term Romanticism in Music
Katarina Bogunović Hočevar
265-276
PDF (Slovenščina)
Evangelist or Socialist: Johann Sebastian Bach in the Cold War and Other Periods of National Uncertainty
Marie-Agnes Dittrich
277-284
PDF (Slovenščina)
Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern
Susanne Kogler
287-303
PDF (Slovenščina)
A Fragment on the Emotion, “Mathesis” and Time Dimension of the Purely Musical. Marginalia with Prelude to the Afternoon of a Faun by Claude Debussy
Tijana Popović Mladjenović
305-332
PDF (Slovenščina)
Silence As a Hermeneutic Oasis of Music
Mirjana Veselinović-Hofman
333-357
PDF (Slovenščina)
The Visual and Auditory Representation of Space and the Net-Space
Werner Jauk
361-370
PDF (Slovenščina)
From Musical Grammars to Music Cognition in the 1980s and 1990s: Highlights of the History of Computer-Assisted Music Analysis
Nico Schüler
371-396
PDF (Slovenščina)
Bibliography of Marija Bergamo
Zoran Krstulović
399-429
PDF (Slovenščina)
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