Vol. 42 No. 2 (2006)

Articles

• The Role of Music, above all singing in growth of Slovenian national consciousness (until 1848)

  Stane Granda

  5-13

  • PDF (Slovenian)

• The Roots of the Slovene Song

  Matjaž Barbo

  15-24

  • PDF (Slovenian)

• The Beginnings of the Solo Song as an Artistic Genre in Croatia

  Koraljka Kos

  25-39

  • PDF (Croatian)

• Same Compositional Traits Concerning a Selected Sample of Slovene Romantic Songs

  Andrej Misson

  41-56

  • PDF (Slovenian)

• Davorin Jenko’s Contribution to the Slovene Song

  Borut Smrekar

  57-63

  • PDF (Slovenian)

• ‘Romantic Lied’ in the 19th Century Slovene Compositional Creativity

  Aleš Nagode

  65-72

  • PDF (Slovenian)

• Josip Procházka (1874–1956) as ‘Czech-Slovenian’ Song Composer

  Jernej Weiss

  73-85

  • PDF (Slovenian)

• A Fragment to the Genre of the Piano Piece: Its ‘Real’ Beginning in the Slovene Musical Literature?

  Katarina Bogunović Hočevar

  87-98

  • PDF

• Serbian Romantic Lied as Intersection of the Austro-Hungarian and Serbian (con)texts

  Tatjana Marković

  99-103

  • PDF

• Neoromantic »Answer« to the Demands of Socialist Realism: Stanojlo Rajičić Na Liparu for bass and symphonic orchestra (1951)

  Vesna Mikić

  105-110

  • PDF

• The Repertoire of the Solo Songs in Slovenia or/and Slovenian Solo Songs in the 19th Century and its Performers in PhonoTheca-Music Archive of the Radio Slovenia

  Franc Križnar

  111-155

  • PDF (Slovenian)