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  3. Vol. 41 No. 1 (2005)

Vol. 41 No. 1 (2005)

					View Vol. 41 No. 1 (2005)
DOI: https://doi.org/10.4312/mz.41.1
Published: 01.12.2005

Full Issue

  • MuzikoloskiZbornik41(2005)1 (Slovenščina)

Articles

  • Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture

    Robert S. Hatten
    5-30
    • PDF
  • Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings

    Nico Schüler
    31-43
    • PDF
  • Adorno as Critics – Mozart, Wagner and Strauss in the Light of the Aesthetic Theory

    Susanne Kogler
    45-57
    • PDF
  • All »Slovene Turtledove« (Slovenske Gerlice)

    Edo Škulj
    59-69
    • PDF (Slovenščina)
  • The Structure of the Musical Theatre Repertoire in the New Regional Theatre (1892-1903)

    Špela Lah
    71-79
    • PDF (Slovenščina)
  • The reception of Ravnik's musical work in Slovene musical periodic

    Katarina Bogunović Hočevar
    81-89
  • The forgotten correspondence between two friends: Leoš Janáček (1854-1928) and Emerik Beran (1868-1940)

    Jernej Weiss
    91-98
    • PDF

Master's thesis

  • Tone Systems in Slovene Folk Music

    Ivan Lešnik
    99-100
    • PDF (Slovenščina)
  • The piano Opus of Janez Matičič until 1960

    Aleš Miholič
    101-106
    • PDF (Slovenščina)

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University of Ljubljana Press, Slovenia
(Založba Univerze v Ljubljani)

Print ISSN: 0580-373X
Online ISSN: 2350-4242

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