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Vol. 42 No. 1 (2006)
Vol. 42 No. 1 (2006)
DOI:
https://doi.org/10.4312/mz.42.1
Published:
01.12.2006
Full Issue
MuzikoloskiZbornik42(2006)1 (Slovenščina)
Articles
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
Nico Schüler
5-24
PDF
The Development of the German Lied between 1782 and 1878: Ten Settings of Goethe’s Ballad Erlkönig
Matjaž Matošec
25-34
PDF (Slovenščina)
„Ohne Anfang, ohne Ende, ohne Mitte“ – Gedanken zum Verhältnis von Sprache und Musik in Hans Zenders Shir hashirim
Peter Revers
35-48
PDF (Deutsch)
Modern Musical Waves: Technical and Expressive Aspects of Fin-de-siècle Form
Stephen Downes
49-71
PDF
Palimpsest Structure of Peter Ruzicka’s Composition Tallis or to What Extent Does Postmodernism Depend upon Modernism
Gregor Pompe
73-88
PDF (Slovenščina)
Beyond Postmodernism? Prince and Some New Aesthetic Strategies
Christian Bielefeldt
89-101
PDF
Antonio Banfi and His School of Thinking in Contemporary Musical Aesthetics
Luisa Antoni
103-113
PDF (Slovenščina)
What’s the Score? Interpreting Transcriptions of the Fisk Jubilee Spirituals
Sandra Graham
115-125
PDF
Contribution of Czech Musicians to the Serbian Music in the 19th Century
Katarina Tomašević
127-137
PDF
Genre in Janáček’s operas
John Tyrrell
139-146
PDF
The Transcription of the Correspondence between Leoš Janáček (1854-1928) and Emerik Beran (1868-1940)
Jernej Weiss
147-164
PDF
Report
Postscripts
Bojan Bujić in Robert S. Hatten
165-173
PDF
Dissertations
The expressivness of musical flow and postmodernism
Gregor Pompe
175-177
PDF (Slovenščina)
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