Vol. 42 No. 1 (2006)

View Vol. 42 No. 1 (2006)

DOI: https://doi.org/10.4312/mz.42.1

Published: 01.12.2006

Full Issue

MuzikoloskiZbornik42(2006)1 (Slovenščina)

Articles

Reflections on the History of Computer-Assisted Music Analysis II: The 1960s

Nico Schüler

5-24
- PDF
The Development of the German Lied between 1782 and 1878: Ten Settings of Goethe’s Ballad Erlkönig

Matjaž Matošec

25-34
- PDF (Slovenščina)
„Ohne Anfang, ohne Ende, ohne Mitte“ – Gedanken zum Verhältnis von Sprache und Musik in Hans Zenders Shir hashirim

Peter Revers

35-48
- PDF (Deutsch)
Modern Musical Waves: Technical and Expressive Aspects of Fin-de-siècle Form

Stephen Downes

49-71
- PDF
Palimpsest Structure of Peter Ruzicka’s Composition Tallis or to What Extent Does Postmodernism Depend upon Modernism

Gregor Pompe

73-88
- PDF (Slovenščina)
Beyond Postmodernism? Prince and Some New Aesthetic Strategies

Christian Bielefeldt

89-101
- PDF
Antonio Banfi and His School of Thinking in Contemporary Musical Aesthetics

Luisa Antoni

103-113
- PDF (Slovenščina)
What’s the Score? Interpreting Transcriptions of the Fisk Jubilee Spirituals

Sandra Graham

115-125
- PDF
Contribution of Czech Musicians to the Serbian Music in the 19th Century

Katarina Tomašević

127-137
- PDF
Genre in Janáček’s operas

John Tyrrell

139-146
- PDF
The Transcription of the Correspondence between Leoš Janáček (1854-1928) and Emerik Beran (1868-1940)

Jernej Weiss

147-164
- PDF

Report

Postscripts

Bojan Bujić in Robert S. Hatten

165-173
- PDF

Dissertations

The expressivness of musical flow and postmodernism

Gregor Pompe

175-177
- PDF (Slovenščina)