Vol. 57 No. 1 (2021)

Articles

Das Strophenprinzip im Kirchengesang der Kiewer Metropolie des 17. und 18. Jahrhunderts

Olha Shumilina

5-23
- PDF (Deutsch)
Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto

Vadim Rakochi

25-63
- PDF
From the History of Military Music in the Austro-Hungarian Monarchy Franz Jaksch, the Pula Navy Orchestra Bandmaster (1899‒1917)

Lada Duraković, Marijana Kokanović Marković

65-84
- PDF
Intersemiosis of Libretto and Music A New Take on Analysing Multimodal Mechanisms in Musical Theatre Works

Benjamin Virc

85-108
- PDF (Slovenščina)
An Encounter with Hugo Wolf in his Jubilee Year Revisiting “Begegnung”

Žarko Cvejić

109-130
- PDF
Interior Cadences in the Sentence of Schoenberg

Dimitar Ninov

131-148
- PDF
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo

Xue Ke, Loo Fung Ying, Loo Fung Chiat, Wang Xiaohang

149-175
- PDF
Stanyslav Lyudkevych’s Contribution to the History of Ukrainian Folk Music Research at the Beginning of the Twentieth Century

Oleg S. Smoliak, Anatoliy M. Bankovskyi, Oksana Z. Dovhan, Halyna S. Misko, Natalia M. Ovod

177-200
- PDF
Musikalische Neubauten des 21. Jahrhunderts Kulturelle, ökonomische und symbolische Dimensionen der musikbezogenen Starchitecture

Alenka Barber-Keršovan

201-227
- PDF (Deutsch)
Distance Teaching of Music in Primary School Education during the Pandemic COVID-19

Tina Bohak Adam, Mira Metljak

229-253
- PDF (Slovenščina)

Reviews

Slovenski Mozart: knjiga o Josipu Ipavcu

Stane Granda

255-263
- PDF (Slovenščina)
- PDF
Akademija za glasbo Univerze v Ljubljani – 80 let: 1939–2019

Aleš Nagode

264-270
- PDF (Slovenščina)
- PDF
Made in Yugoslavia: Studies in Popular Music

Laura Emmery

271-282
- PDF (Slovenščina)
- PDF
Glasba in avtizem

Leon Stefanija

283-290
- PDF (Slovenščina)
- PDF

Dissertations

Slovene Electroacoustic Music and Sound Art

Primož Trdan

291-294
- PDF (Slovenščina)
- PDF
Feast Day Music in Krk Diocesan Chapters and its Reception among High School Students

Saša Ilijić

295-296
- PDF (Slovenščina)
- PDF

Full Issue

Articles

Das Strophenprinzip im Kirchengesang der Kiewer Metropolie des 17. und 18. Jahrhunderts

Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto

From the History of Military Music in the Austro-Hungarian Monarchy Franz Jaksch, the Pula Navy Orchestra Bandmaster (1899‒1917)

Intersemiosis of Libretto and Music A New Take on Analysing Multimodal Mechanisms in Musical Theatre Works

An Encounter with Hugo Wolf in his Jubilee Year Revisiting “Begegnung”

Interior Cadences in the Sentence of Schoenberg

Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo

Stanyslav Lyudkevych’s Contribution to the History of Ukrainian Folk Music Research at the Beginning of the Twentieth Century

Musikalische Neubauten des 21. Jahrhunderts Kulturelle, ökonomische und symbolische Dimensionen der musikbezogenen Starchitecture

Distance Teaching of Music in Primary School Education during the Pandemic COVID-19

Reviews

Slovenski Mozart: knjiga o Josipu Ipavcu

Akademija za glasbo Univerze v Ljubljani – 80 let: 1939–2019

Made in Yugoslavia: Studies in Popular Music

Glasba in avtizem

Dissertations

Slovene Electroacoustic Music and Sound Art

Feast Day Music in Krk Diocesan Chapters and its Reception among High School Students

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