The Biased Gaze of a Neutral Journalist
Juan Pujol in the Austro-Italian Frontline (1915)
DOI:
https://doi.org/10.4312/vh.30.1.37-52Keywords:
journalism, Great War, propaganda, stereotypes, metaphorAbstract
In the period between January and September 1915, Spanish journalist Juan Pujol (1883-1967) reported from the most active European frontlines and sent his reports and stories to the newspaper ABC (Madrid). This journalistic material makes for a corpus consisting of 61 texts that, in the following years, were collected in three volumes by its own author. As idealized self-depiction and degraded depiction of the Other is a consequence of war rhetoric, we shall take into account articles produced on the Austro-Italian frontlines in order to analyse the reinforcement of stereotypes related to Italian and Austro-Hungarian troops and citizens. This will confirm Pujol’s biased reporting in favour of the Central Powers. Recourse to metaphors and images is linked with the perception of the enemy’s image and it is in this regard that we analyse its use when describing military operations in the course of the Battle of Gorizia in July 1915.
Downloads
References
FUENTES PRIMARIAS:
Pujol, J. (1915): De Londres a Flandes. Con el ejército alemán en Bélgica. Madrid, V. Rico.
Pujol, J. (1916): En Galitzia y en el Isonzo. Con los ejércitos del general von Mackensen y del archiduque Eugenio de Austria. Madrid: Renacimiento.
Pujol, J. (1917): La guerra. Madrid: Librería de Viuda de Pueyo.
*****
FUENTES SECUNDARIAS:
Amat, J. (2014): «Gaziel, humanista ilustrado». In: Xavier Pla y Francesc Montero (eds.), Cosas vistas, cosas leídas. La edad de oro del periodismo literario en Cataluña, España y Europa. Kassel: Reichenberger, 199-216.
Canals Piñas, J. (2016): «Enrique Díaz Retg and El Diluvio: Reportage from the Italian frontline (1916)». Journal of Modern Italian Studies, 21/2, 289-303. DOI: https://doi.org/10.1080/1354571X.2016.1144427
Canals Piñas, J. (2017): Noticias desde el frente bélico italiano. Los reportajes de Enrique Díaz-Retg (1916 y 1917). Trento: Dipartimento di Lettere e Filosofia.
González, J.R. (2016): «Visions/versions of the war: Ramón Pérez de Ayala and Juan Pujol on the Italian front», Journal of Modern Italian Studies, 21/2, 271-282. DOI: https://doi.org/10.1080/1354571X.2015.1134179
González Calleja, E., Aubert, P. (2014): Nidos de espías. España, Francia y la Primera Guerra Mundial (1914-1919). Madrid: Alianza Editorial.
Iwamoto, N. (1996): «Constructing Reality through Metaphorizing Processes in Wartime Reporting», Edinburgh Working Papers in Applied Linguistics, 7, 56-71.
Jurado Gómez, C. (1999): El periodismo de Juan Pujol. Murcia: Servicio de Publicaciones de la Universidad de Murcia.
Lakoff, G., Johnson, M. (2003): Metaphors We Live By. Chicago-London: The University of Chicago Press. DOI: https://doi.org/10.7208/chicago/9780226470993.001.0001
Navarra Ordoño, A. (2014): 1914. Aliadófilos y germanófilos en la cultura española. Madrid: Cátedra.
Olmos Baldellou, V. (2002): Historia del “ABC”. Barcelona: Plaza & Janés.
Simpson, P. (1993): Language, Ideology and Point of View. London: Routledge. DOI: https://doi.org/10.4324/9780203312612
Stauber, R. (2013): «War and the Public Sphere: European Examples from the Seven Years’ War to the World War I». In: Selling War: Josef Seethaler et al. (ed.), The Role of the Mass Media in Hostile Conflicts from World War I to the “War on Terror”. Bristol: Intellect Books Ltd., 19-35.
Van Dijk, T.A. (1990): La noticia como discurso. Comprensión, estructura y producción de la información. Barcelona: Paidós.
Van Dijk, T.A. (2003): Ideología y discurso. Barcelona: Editorial Ariel.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Jorge Canals Piñas

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Verba Hispanica by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.