Clase abierta sobre teatro latinoamericano : el teatro en Buenos Aires 1900-1950

Authors

  • Ana Cecilia Prenz Universidad de Trieste

DOI:

https://doi.org/10.4312/vh.17.1.53-63

Keywords:

teatro hispanoamericano, teatro argentino, Teatro del Pueblo, Teatro independiente

Abstract

Se impone, ante todo, una premisa de carácter general acerca de lo que entendemos con la denominación Teatro Latinoamericano. La misma representa una idea, un concepto, muy amplio, multifacético y, asimismo, muy vago. Diversas son las realidades teatrales de los distintos países de la América Hispánica en la actualidad y en el pasado, así como son diferentes sus historias y expresiones, no obstante la misma raíz española.

Del mismo modo, se impone especificar que cuando usamos la palabra teatro, en general, nos estamos refiriendo a muchos aspectos de este arte. Por tradición, o por una forma de prejuicio crítico, al utilizar este vocablo aludimos casi siempre al texto dramático: el teatro de Shakespeare, el teatro de Lope de Vega, de Lorca, etc. Este privilegio del texto termina por relegar a un segundo plano el espectáculo que conforma la representación teatral. Al hablar de escritores dramáticos y de sus respectivos textos, estamos soslayando lo que los semiólogos del teatro llaman texto espectacularo, simplemente, representación– y todo lo que el mismo implica.

Downloads

Download data is not yet available.

Downloads

Published

31.12.2009

How to Cite

Prenz, A. C. (2009). Clase abierta sobre teatro latinoamericano : el teatro en Buenos Aires 1900-1950. Verba Hispanica, 17(1), 53–63. https://doi.org/10.4312/vh.17.1.53-63

Issue

Vol. 17 No. 1 (2009)

Section

Literature

License

Authors who publish with this journal agree to the following terms:

  1. Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Verba Hispanica by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
  2. Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
  3. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  4. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  5. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.