Salvación y condena en memorial de la noche de Carlos Sahagún
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https://doi.org/10.4312/vh.6.1.41-53Keywords:
Salvación y condena en memorial de la noche de Carlos SahagúnAbstract
Cuando Carlos Sahagún se decidió a reunir en 1976 su poesía completa bajo el título de Memorial de la noche hacía ya casi veinte años que había iniciado una de las trayectorias poéticas más interesantes de la España de posguerra y se hallaba escribiendo Primer y último oficio, su mejor muestra hasta ahora de lo que es capaz de hacer en poesía. Miembro tardío de lo que se ha dado en llamar Generación del 50, su obra adquirirá así un Iugar propio en un panorama poético que pronto se iba a caracterizar en su conjunto por notas bien diferentes a las que la producción del alicantino presentaba. A establecer las líneas principales de Memorial está destinado el presente trabajo.
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Copyright (c) 2016 Alfredo López-Pasarín Basabe
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