El cuerpo humano como símbolo en el Jardín de las delicias: el tríptico de el bosco x la película de Carlos Saura
DOI:
https://doi.org/10.4312/vh.6.1.129-144Keywords:
El cuerpo humano como símbolo en el Jardín de las delicias, el tríptico de el bosco x la película de Carlos SauraAbstract
Cuando en España se menciona El jardín de las delicias, lo primero que a uno le viene a la mente es el tríptico que pintó el holandes Hieronymus Bosch, más conocido como El Bosco, en el siglo XVI. Pero además de este cuadro, que actualmente se encuentra en el Museo del Prado de Madrid, hay otras dos obras con el mismo título en este país: una es la pieza literaria de Francisco Ayala titulada El jardín de las delicias. El tiempo y yo y la otra, una película del realizador Carlos Saura, que es en la que voy a centrar precisamente mi interés a fin de estudiar las conexiones que existen entre ella y el cuadro pintado por El Bosco.
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Copyright (c) 2016 Raquel Segovia Martín
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