Ancient Writers’ Motifs in Spanish Golden Age Drama
Keywords:ancient literature, Spanish literature, Golden Age, survival and reception, ancient motives
AbstractIn Spanish Golden Age drama we come across all forms of the reception of ancient writers’ motifs: explicit (direct quotation of an ancient author, where the quotation may be more or less complete, or a clear allusion to it), implicit (where there is no explicit mentioning of the ancient source, however certain ancient elements are mentioned such as persons, places, historical circumstances), hidden (where there is no clear hint about a literary intervention in Antiquity or an imitation of the literary excerpt or motif), as well as direct imitation (aemulatio) or adaptation (variatio). In the Renaissance and Baroque there are almost no motifs, which could not be taken over from Antiquity without a transformation or innovation. If there is a close correspondence to the ancient motif, it is generally sufficient simply to mention it or employ a side motif as an illustration of a similar situation without elaborating the motif further or weaving it more deeply into the supporting fabric of the dramatic work. The ancient authors who contribute the motifs are numerous and diverse: Vergil, the Roman elegists Propertius in Tibullus, the lyric poet Horace, the comedian Plautus, the stoic philosopher Seneca, the historian Tacitus, the novelist Apuleius, as well as Greek dramatist Aeschylus and stoic philosopher Epictetus. The genres, which are a source for the surviving ancient motifs in the Golden Age in the selected authors, include literary as well as not-literary forms: epic poetry, lyric, dramatics, philosophy and historiography.
Copyright (c) 2017 Bojana Tomc
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors are confirming that they are the authors of the submitting article, which will be published (print and online) in journal Verba Hispanica by Znanstvena založba Filozofske fakultete Univerze v Ljubljani (University of Ljubljana, Faculty of Arts, Aškerčeva 2, 1000 Ljubljana, Slovenia). Author’s name will be evident in the article in journal. All decisions regarding layout and distribution of the work are in hands of the publisher.
- Authors guarantee that the work is their own original creation and does not infringe any statutory or common-law copyright or any proprietary right of any third party. In case of claims by third parties, authors commit their self to defend the interests of the publisher, and shall cover any potential costs.
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.