Tipografski izumi v H(A)PPY Nicole Barker

Avtorji

  • Mihaela Culea Univerza Vasileja Alecsandrija v Bacăuu, Romunija
  • Andreia Irina Suciu Univerza Vasileja Alecsandrija v Bacăuu, Romunija

DOI:

https://doi.org/10.4312/ars.16.1.181-192

Ključne besede:

tipografski izumi, digitalna doba, nadzor, pobeg, identiteta

Povzetek

V romanu H(A)PPY Nicole Barker se posameznikov upor in pobeg iz virtualnega, nadzorovanega in uniformiranega sveta mojstrsko odraža tudi s pomočjo tipografije. Enako kot posameznik, ki kljubuje tej novi realnosti, besedilo spodkopava pripovedne in tipografske norme ter vabi bralce, da se udeležijo potovanja dešifriranja kod in znakov. Članek raziskuje tipografske oblikovne eksperimente, ki prispevajo k besedilni interpretaciji na ravni drugih pripovednih elementov. Identificira in analizira dvajset inovacij v zvezi s tipografijo, s katerimi avtorica razširi možnosti razumevanja večpomenskosti romana.

Prenosi

Podatki o prenosih še niso na voljo.

Literatura

Barker, N., H(A)PPY, London 2017a.

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Boxall, P. (ed.), The Cambridge Companion to British Fiction 1980–2018, Cambridge 2019. DOI: https://doi.org/10.1017/9781108649865

Bringhurst, R., The Elements of Typographic Style. Version 3.0, Point Roberts and Vancouver 2004.

Clark, A., Nicola Barker: ‘I Find Books about Middle-class People so Boring – I Feel like Stabbing Myself, review in The Guardian, 22nd July 2017, https://www.theguardian.com/books/2017/jul/22/nicola-barker-books-interview-love-island-happy, access date May 7 2021.

Cocozza, P., After the End of the World, Humans Never Age in Nicola Barker’s New Book ‘H(A)PPY’, review in Newsweek, 7th February 2017, https://www.newsweek.com/happy-nicola-barker-books-book-review-apocalypse-science-fiction-630924, access date April 7 2021.

Darlington, J., Free Speech and Digital Discourse in Nicola Barker’s H(a)ppy, Lublin Studies in Modern Languages and Literature, Vol 44, No 2/2020, Lublin, 99-112. DOI: https://doi.org/10.17951/lsmll.2020.44.2.99-112

Gibbons, A., Multimodality, Cognition, and Experimental Literature, London 2012. DOI: https://doi.org/10.4324/9780203803219

Guignery, V.; Drąg, W. (eds.), The Poetics of Fragmentation in Contemporary British and American Fiction, Wilmington and Malaga 2019.

Herman, D., Basic Elements of Narrative, Malden and Oxford 2009. DOI: https://doi.org/10.1002/9781444305920

Herzongenrath, B. (ed.), Travels in Intermedia[lity]. ReBlurring the Boundaries, New Hampshire 2012.

Hinchliffe, J., Health, Happiness and the (Post) Human. An Exploration of Biometrics, Biopolitics and the Body in Juli Zeh’s The Method (2009) and Nicola Barker’s H(a)ppy (2017), Roundtable. Roehampton Journal for Academic and Creative Writing, vol. 2, issue 2/ 2019, 1-15.

Jordan, J., H(a)ppy by Nicola Barker review – visionary satire of a new information age, The Guardian, 14th of July, https://www.theguardian.com/books/2017/jul/14/happy-nicola-barker-review-science-fiction-dystopian-vision, access date February 7 2021.

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Martiny, E., Review. The Book of Joan by Lidia Yukavitch/H(A)PPY by Nicola Barker, The London Magazine, 22nd October 2018, https://www.thelondonmagazine.org/review-the-book-of-joan-by-lidia-yukavitch-happy-by-nicola-barker/, access date April 2 2021.

Nørgaard, N., The semiotics of typography in literary texts: A multimodal approach, Orbis Litterarum, vol. 64 (2)/2009. DOI: https://doi.org/10.1111/j.1600-0730.2008.00949.x

Tonkin, B., ‘H(A)PPY’ by Nicola Barker – everybody hertz, Financial Times, 21st July 2017, https://www.ft.com/content/3a758f6e-67de-11e7-9a66-93fb352ba1fe, access date May 5 2021.

Watkins, S., Contemporary Women’s Post-Apocalyptic Fiction, London 2020. DOI: https://doi.org/10.1057/978-1-137-48650-9

Objavljeno

22.12.2022

Kako citirati

Culea, M., & Suciu, A. I. (2022). Tipografski izumi v H(A)PPY Nicole Barker. Ars & Humanitas, 16(1), 181–192. https://doi.org/10.4312/ars.16.1.181-192