Tihi Don Juan. Koncept ljubezni in umetnosti v delih Maxa Frischa

Avtorji

  • Špela Virant Univerza v Ljubljani, Filozofska fakulteta

DOI:

https://doi.org/10.4312/ars.6.1.149-156

Ključne besede:

Max Frisch, Stiller, Don Juan ali Ljubezen do geometrije

Povzetek

In the novel Stiller and in the play Don Juan, both published in the early 1950s, Frisch already focuses on the problem of identity as one of his major themes, but it is not yet situated in a political context as, for example, in the play Andorra. In these works, the identity-problem is situated in the domain of intimate relationships and artistic creativity, offering the possibility to discuss Frisch’s concepts of art and love, which unfold through Frisch’s treatment of the traditional literary figure of Don Juan and his hubris. Frisch’s Stiller and Don Juan do not believe in God; but their frame of mind stays the same, while the position of God and his attributes are assigned to love, art and geometry. Although both literary figures in the course of events realize that this substitution is a mistake, they are unable to alter their concepts of love and art. Instead of altering the concepts, they rather resign in silence, while Max Frisch continues to search for alternatives in reflecting on the process of fictionalization and in developing innovative narrative and dramatic structures.

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Biografija avtorja

Špela Virant, Univerza v Ljubljani, Filozofska fakulteta

Špela Virant je docentka za književnosti v nemškem jeziku na Oddelku za germanistiko s skandinavistiko in nederlandistiko na Filozofski fakulteti Univerze v Ljubljani. Ukvarja se s sodobno književnostjo, zlasti z dramatiko.

Prenosi

Objavljeno

11.07.2012

Kako citirati

Virant, Špela . (2012). Tihi Don Juan. Koncept ljubezni in umetnosti v delih Maxa Frischa. Ars & Humanitas, 6(1), 149–156. https://doi.org/10.4312/ars.6.1.149-156