Estetizacija ideologije: rekonstrukcija sodobne kitajske umetnosti in kulture
DOI:
https://doi.org/10.4312/as.2010.14.2.91-110Keywords:
Chinese aesthetics, ideology, Chinese artAbstract
The period that began with the Chinese opening towards the external world and economic liberalization inside the country may be called a period of modern reflection of the Chinese tradition of thoughts, and simultaneously as an era of critical evaluation of the most influential currents of foreign thoughts. Among others, these thoughts manifested themselves in the field in which the germs of new ideologies developed. In this context, the present article aims to illuminate the ideological and social function of art and culture. Aesthetics has – on the one hand – served as a latent rebellion against the prevailing social pragmatism, as an explicit form expressing the striving for beauty in the sense of an emotional emancipation. On the other hand, it served as a discourse that has been in China generally tightly linked to the politics and to the possibility of re-interpretation or elaboration of Marxist theories.
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Habermas, Jürgen (1987) The Philosophical Discourse of Modernity. (prev. Lawrence Frederi). Cambridge: MIT Press.
Haug, Wolfgang Fritz (1971) Critique of Commody Aesthetics. (prev.: Robert Bock). London: Routledge, Polity Press.
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Mukarovsky, Jan (1978) Estetske razprave. (prev. Frane Jerman). Ljubljana: Slovenska matica.
Ren, Jiyu 任繼愈 (2001) 'Ershi yi shijide Zhongguo zhexue 二十一世紀的中國哲學' (Kitajska filozofija 21. stoletja).' V: Zhongguo zhexue shi 1, str. 5–8.
Rošker, Jana S. (2006) Iskanje poti – epistemologija v kitajski tradiciji; 2. del: Zaton tradicije in obdobje moderne. Ljubljana: Filozofska fakulteta.
Said, Edward W. (1995 1978) Orientalism – Western Conceptions of the Orient. 4. izd., Harmondsworth, Middlesex: Penguin Books.
Stanek, Helena (2001) Das Reich der Mitte und seine Barbaren: Die kulturelle Heterogenitaet und Multikulturalitaet in China, neobjavljen magisterij, Institut fuer Sinologie, Univerza Dunaj.
Wang, Ning (2004) Globalization and Cultural Translation. Singapore: Marshall Cavendish Academic.
Welsh, Wolfgang (1997) Undoing Aesthetics (prev. Andrew Inkpin). London: Sage.
Xing, An 郉安 (2000) Shenme dou yao qian 甚麼都要錢 (Vse stane). Beijing: Beijing qingnian chuban she.
Zhexue da cidian; Zhongguo zhexueshi juan 哲學大辭典，中國哲學史卷 (Veliki slovar filozofije, zvezek Zgodovine kitajske filozofije). (1985) Feng Qi, ur. Shanghai: Shanghai cishu chuban she.
Zhou, Xiaoyi (2005) 'The Ideological Function of Western Aesthetics in 1980's China.' V: Cultural Studies in China. Tao Dongfang in Jin Yuanpu, ur. Singapore: Marshall Cavendish Academic. Str. 98–115.
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Published
01.12.2010
How to Cite
Sernelj, T. (2010). Estetizacija ideologije: rekonstrukcija sodobne kitajske umetnosti in kulture. Asian Studies, 14(2), 91–110. https://doi.org/10.4312/as.2010.14.2.91-110
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