Estetizacija ideologije: rekonstrukcija sodobne kitajske umetnosti in kulture

Authors

  • Tea Sernelj

DOI:

https://doi.org/10.4312/as.2010.14.2.91-110

Keywords:

Chinese aesthetics, ideology, Chinese art

Abstract

The period that began with the Chinese opening towards the external world and economic liberalization inside the country may be called a period of modern reflection of the Chinese tradition of thoughts, and simultaneously as an era of critical evaluation of the most influential currents of foreign thoughts. Among others, these thoughts manifested themselves in the field in which the germs of new ideologies developed. In this context, the present article aims to illuminate the ideological and social function of art and culture. Aesthetics has – on the one hand – served as a latent rebellion against the prevailing social pragmatism, as an explicit form expressing the striving for beauty in the sense of an emotional emancipation. On the other hand, it served as a discourse that has been in China generally tightly linked to the politics and to the possibility of re-interpretation or elaboration of Marxist theories.

Downloads

Download data is not yet available.

Author Biography

  • Tea Sernelj
    Tea Sernelj, univ. dipl. sinologinja in sociologinja kulture.

References

Amin, Samir (1989) Eurocentrism (prev. Russell Moore). New York: Monthly Review Press.

Bunnin, Nicholas (2002) 'Introduction.' V: Contemporary Chinese Philosophy. Nicholas Bunnin in Cheng Zhongying /Chung-ying/, ur. Oxford: Blackwell Publishers Ltd. Str. 1–15.

Chen, Xiaoming (2005) 'Appropriation, Resistance and Reconstruction: The Aesthetic Connection between Consumer Culture and Literature.' V: Cultural Studies in China. Tao Dongfang in Jin Yuanpu, ur. Singapore: Marshall Cavendish Academic. Str. 115–137.

Cheng, Zhongying 成中英 (2003) 21 Shiji yu Zhongguo zhexue zouxiang: quanshi, zhenghe, yu chuangxin '21 世紀與中國哲學走向:詮釋 ,整合 與 創新' (Smernice kitajske filozofije v 21. stoletju). V: Ershiyi shiji Zhongguo zhexue zouxiang. Fang Keli, ur. Beijing: Shangwu yinshu chuban she. Str. 11–32.

Ding, Zijiang John (2002) 'Li Zehou; Chinese Aesthetics from a Post-Marxist and Confucian Perspective.' V: Contemporary Chinese Philosophy. Nicholas Bunnin in Cheng Zhongying /Chung-ying/, ur. Oxford: Blackwell Publishers Ltd. Str. 246–257.

Dong, Xi 東西 (1996) Shiyi yhidai 詩意時代 (Lirično obdobje). Shenzhen: Haitian chuban she.

Habermas, Jürgen (1987) The Philosophical Discourse of Modernity. (prev. Lawrence Frederi). Cambridge: MIT Press.

Haug, Wolfgang Fritz (1971) Critique of Commody Aesthetics. (prev.: Robert Bock). London: Routledge, Polity Press.

Li, Zehou (1999) 'Modernization and the Confucian World.' V: Colorado College's 125th Anniversary Symposium Cultures in the 21st Century: Conflicts and Convergences, CC. Colorado Springs; V: http://www.cc.colorado.edu/academics/anniversary/ Transcripts/ LiTXT.htm. (prevzeto 20.1.2004.)

Li, Zehou李澤厚( 2002) Zou wo zijide lu – za zhu ji 走我自己的路 - 雜著集 (Hoditi po lastni poti – Zbirka različnih spisov). Beijing: Zhongguo mangwen chuban she.

Mukarovsky, Jan (1978) Estetske razprave. (prev. Frane Jerman). Ljubljana: Slovenska matica.

Ren, Jiyu 任繼愈 (2001) 'Ershi yi shijide Zhongguo zhexue 二十一世紀的中國哲學' (Kitajska filozofija 21. stoletja).' V: Zhongguo zhexue shi 1, str. 5–8.

Rošker, Jana S. (2006) Iskanje poti – epistemologija v kitajski tradiciji; 2. del: Zaton tradicije in obdobje moderne. Ljubljana: Filozofska fakulteta.

Said, Edward W. (1995 1978) Orientalism – Western Conceptions of the Orient. 4. izd., Harmondsworth, Middlesex: Penguin Books.

Stanek, Helena (2001) Das Reich der Mitte und seine Barbaren: Die kulturelle Heterogenitaet und Multikulturalitaet in China, neobjavljen magisterij, Institut fuer Sinologie, Univerza Dunaj.

Wang, Ning (2004) Globalization and Cultural Translation. Singapore: Marshall Cavendish Academic.

Welsh, Wolfgang (1997) Undoing Aesthetics (prev. Andrew Inkpin). London: Sage.

Xing, An 郉安 (2000) Shenme dou yao qian 甚麼都要錢 (Vse stane). Beijing: Beijing qingnian chuban she.

Zhexue da cidian; Zhongguo zhexueshi juan 哲學大辭典,中國哲學史卷 (Veliki slovar filozofije, zvezek Zgodovine kitajske filozofije). (1985) Feng Qi, ur. Shanghai: Shanghai cishu chuban she.

Zhou, Xiaoyi (2005) 'The Ideological Function of Western Aesthetics in 1980's China.' V: Cultural Studies in China. Tao Dongfang in Jin Yuanpu, ur. Singapore: Marshall Cavendish Academic. Str. 98–115.

Downloads

Published

1. 12. 2010

Issue

Section

Articles

How to Cite

Sernelj, Tea. 2010. “Estetizacija Ideologije: Rekonstrukcija Sodobne Kitajske Umetnosti in Kulture”. Asian Studies 14 (2): 91-110. https://doi.org/10.4312/as.2010.14.2.91-110.

Similar Articles

1-10 of 241

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)

1 2 > >>