Prodor evropske glasbe na Kitajsko in njena recepcija v kitajski družbi
DOI:
https://doi.org/10.4312/as.2010.14.2.111-128Keywords:
European music, Chinese music, reception, creation, musicAbstract
The article discusses the historical process of European music entry into China and its reception in Chinese society. This process which started to evolve with the arrival of the first Jesuit missionaries in the imperial court in 17th century still goes on at present and could be roughly divided into three periods. The main characteristic of this process is mostly the change from passive reception of European music to active creation and (mis)use of received musical system.
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References
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Gong, Hongyu 宫宏宇 (2006) Missionaries, Reformers and the Beginnings of Western Music in Late Imperial China (1839–1911) [doktorat], Auckland: University of Auckland.
Ho, Wai-chung (2000) 'The Political Meaning of Hong Kong Popular Music: A Review of Sociopolitical Relations between Hong Kong and the People's Republic of China Since the 1980s.' Popular Music 19(3), str. 341–353.
Kluger, Jeffrey (2008) 'Bernstein in Beijing: China's Classical Music Explosion.' Time 6.11.2008. http://www.time.com/time/arts/article/0,8599,1855684,00.html. (privzeto 19. 10.2010).
Melvin, Sheila in Cai, Jindong (2004) Rhapsody in Red: How Western Classical Music Became Chinese. New York: Aurora Publishing.
Perris, Arnold (1983) 'Music as Propaganda: Art at the Command of Doctrine in the People's Republic of China.' Ethnomusicology 27(1), str. 1–28.
Ross, Alex (2008) 'Symphony of Millions.' The New Yorker, 7.7.2008. http://www.newyorker.com/arts/critics/atlarge/2008/07/07/080707crat_atlarge_ross (privzeto 19.10.2010).
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Yan, Jun 颜峻 (2007) Zhongguo »dianzi yue« xiaoshi. 中国 “电子乐” 小史. (Kratka zgodovina »elektronske glasbe« na Kitajskem.) http://www.yanjun.org/archives/192. (privzeto 19.10.2010).
Yang, Hou-lun (2007) 'Power, Politics, and Musical Commemoration: Western Musical Figures in the People's Republic of China 1949–1964.' Music and Politics I(2), str. 1–16.
BBC (2005) How Wham! Brought the West to China, 24. 3. 2005 http://news.bbc.co.uk/2/hi/entertainment/4379399.stm (privzeto 19. 10. 2010).
Gold, Thomas B. (1993) 'Go with Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China.' The China Quarterly 136, posebna izdaja: Greater China, str. 907–925.
Gong, Hongyu 宫宏宇 (2006) Missionaries, Reformers and the Beginnings of Western Music in Late Imperial China (1839–1911) [doktorat], Auckland: University of Auckland.
Ho, Wai-chung (2000) 'The Political Meaning of Hong Kong Popular Music: A Review of Sociopolitical Relations between Hong Kong and the People's Republic of China Since the 1980s.' Popular Music 19(3), str. 341–353.
Kluger, Jeffrey (2008) 'Bernstein in Beijing: China's Classical Music Explosion.' Time 6.11.2008. http://www.time.com/time/arts/article/0,8599,1855684,00.html. (privzeto 19. 10.2010).
Melvin, Sheila in Cai, Jindong (2004) Rhapsody in Red: How Western Classical Music Became Chinese. New York: Aurora Publishing.
Perris, Arnold (1983) 'Music as Propaganda: Art at the Command of Doctrine in the People's Republic of China.' Ethnomusicology 27(1), str. 1–28.
Ross, Alex (2008) 'Symphony of Millions.' The New Yorker, 7.7.2008. http://www.newyorker.com/arts/critics/atlarge/2008/07/07/080707crat_atlarge_ross (privzeto 19.10.2010).
Urbanija, Matic (2003) 'Razvoj jezuitske metode prilagajanja.' V: Mandarin Hallerstein, Kranjec na kitajskem dvoru. Viljem Marjan Hribar, ur. Radovljica: Didakta.
Yan, Jun 颜峻 (2007) Zhongguo »dianzi yue« xiaoshi. 中国 “电子乐” 小史. (Kratka zgodovina »elektronske glasbe« na Kitajskem.) http://www.yanjun.org/archives/192. (privzeto 19.10.2010).
Yang, Hou-lun (2007) 'Power, Politics, and Musical Commemoration: Western Musical Figures in the People's Republic of China 1949–1964.' Music and Politics I(2), str. 1–16.
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Published
1. 12. 2010
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Articles
How to Cite
Urbanija, Matic. 2010. “Prodor Evropske Glasbe Na Kitajsko in Njena Recepcija V Kitajski družbi”. Asian Studies 14 (2): 111-28. https://doi.org/10.4312/as.2010.14.2.111-128.
