»Sanjski grad vsakega umetnika« – Japonski avantgardni center v 60. letih 20. stoletja

Klara HRVATIN

doi:10.4312/as.2016.4.2.183-200

Authors

Klara HRVATIN University of Ljubljana http://orcid.org/0000-0003-2056-4172

DOI:

https://doi.org/10.4312/as.2016.4.2.183-200

Keywords:

japonska avantgardna umetnost, umetniško gibanje Sōgetsu, umetniški center Sōgetsu, Sōfu Teshigahara, šola ikebane Sōgetsu

Abstract

Članek predstavlja uvod v predstavitev umetniškega gibanja Sōgetsu (1958–1971), njegovega mesta v zgodovini japonske avantgardne scene, pomembnosti umetniškega centra Sōgetsu (Sōgetsu Art Center ali SAC), kjer se je gibanje odvijalo, in njegovega mecena Sōfuja Teshigahare. Ob pregledu prvih obstoječih dokumentov o SAC-u, prvega, ki je služil kot uvodni vodič Centra (objavljen 1. septembra 1958), in drugega, ki je bil ekskluzivno izdan ob njegovem odprtju (13. septembra 1958), bomo lahko natančneje razkrili SAC-ovo podobo in kapacitete ter opredelili cilje, ki si jih je postavil pred začetkom delovanja. Kaj je Center nudil, da je bil razglašen za »sanjski grad vsakega umetnika«?

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Author Biography

Klara HRVATIN, University of Ljubljana

Department of Asian Studies
assistent/researcher

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