L' assonance trasitoire dans le pèlerinage de Charlemagne et dans le cantar de mio cid
DOI:
https://doi.org/10.4312/linguistica.12.1.61-66Keywords:
L' assonance trasitoire dans le pèlerinage de Charlemagne et dans le cantar de mio cidAbstract
Il arrive dans la poésie médiévale, française et espagnole, que le premier vers d'une laisse maintienne I'assonance de la laisse qui précède. Parfois, mais plus rarement, le cas est inverse: le vers final d'une laisse annonce l'assonance de la laisse qui suit. Ce phénomène, que nous appellerons laisse transitoire, est considéré comme nne des irrégularités métriques et les éditeurs ont, le plus souvent, recours à des corrections plus on mains notables. Que gagne-t-on par leurs corrections? Ou plutôt: qu'est-cequ'on y perd? C'est précisément ce que nons voudrions montrer en relevant tons les exemples du phénomène dans les deux oeuvres mentionnées ci-dessus.
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